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Examples of Humanistic Perspective

Backstage Experts Answer: What Belongs on an Actors Resume? Whether you’re an examples, actor, lawyer, doctor, waiter, or anything else, résumés stump professionals across a variety of careers. The Who? Today our Backstage Experts give their best answers to the question: What does and does not belong on an acting résumé? And, what can you put on a résumé when you're just starting out? Here are several answers from humanistic industry professionals spanning different areas of this business to give you some perspective!

Wondering what this new column is all about? Backstage Experts Answer takes your questions and brings them to our incredible network of Experts. If you missed the last installment, check out “14 Tips for james epiphany Determining Your ‘Brand’ ” and humanistic psychology, see how to get your acting questions answered at the bottom of this article! I believe résumés don’t have to be long, but rather they just need to be impressive . Agents and commercial and theatrical CDs have less than a minute to look at it. They are usually not interested in the volume of what they think is teenage, not significant. They look for teachers, schools, theaters, studios, directors, etc., who they respect.

Then, agents and CDs could bring you in. (Obviously there are exceptions and humanistic examples, some will see actors with little “résumé power,” so to speak.) Actors can honestly make their credits, training, and james epiphany, skills appear stronger. Here is an example in each category of humanistic psychology, what I suggest: Show Name Role Year (if fairly current) Theater or Director. Film, TV, or Web Series: When actors are starting, their skills and hobbies can get help them get commercial auditions and sometimes other acting work (when physically right). For the value and wasteland, how to make it powerful, read this Backstage article of mine on examples the topic. If you don't have much acting experience then substitute it with training and/or life experience.

Tell the dion 3h20 story you want people to psychology examples, hear. The only thing that matters is whether you can do the job. James Joyce Epiphany? If your experience does not make that clear, tell them something that does. Humanistic Psychology? What’s on a résumé: hair and eye color, height and james epiphany, weight, date of birth (for anyone under 18), credits, training, and special skills. Standard order: film, television, commercials, voiceover, industrials, theater, training, special skills. Humanistic Psychology? Film and television: List the project, credit (character name optional), and teenage, studio or production. Voiceover: Voiceover work, music videos, personal appearances, etc. Humanistic Examples? Theater: List the james epiphany production, character, and venue. Training: List the class name, coach, venue, and city.

Special skills: List physical abilities or other skills that might be needed to land a job. What’s not on humanistic psychology a résumé: age range, categories in which you have no experience, modeling and print work, and background work. What doesn’t belong? Fancy fonts and formatting, your address, eye/hair color or weight, false credits, skills you’re learning and ranges you’re reaching, and dion, staples (more than one page). Psychology? Starting out? See all of the above, and work with what you have! Until you have professional credits, school productions (or even scenes you’ve worked on in class) are fine. Sheldrake V Dpp? Just notate this experience truthfully. Until you have representation, personal contact information is fine. Bottom line: Package and present yourself as professionally as you possibly can. When you are first starting out, the first thing that casting directors look at is with whom you trained.

Seeing acting coaches that they know and respect will open doors when you have a résumé with no real acting credits on it. Humanistic Psychology? Your experience should be divided up into categories: theater, TV/film, and commercials. In three columns list the name of the production, the role you played, and where you performed or who produced it. Of The Ring Summary? Your résumé should be on examples one page only and laid out in text asa citation simply in psychology columns, making it easy to read. Warning: Do not lie! If you are just starting out, list any local or school credits you have. If you have none, just put your training and special skills. Your special skills should only include those you excel in. For a sample résumé visit this link on fellowship of the summary my website. Best of luck.

List contact info and projects in which you’ve acted (not extra work). List your training/education. List your special skills, but only if they are serious skills (musical ability, foreign languages spoken/dialects which you can do, ability to humanistic psychology, ride a horse, etc.) if applicable. Celine 3h20? If you have dual citizenship, list that, and whether or not you have a green card (if you’re not a U.S. citizen). Don’t put silly skills down which would have no bearing on humanistic your ability to do a role. And be careful about not overstating your skills. Sheldrake V Dpp? I once cast an actor who said he could ride a horse, and, on the film shoot, he was frightened of the horse and it caused serious problems for the production. Examples? If you’re just beginning, put your education and whatever acting you’ve done on your résumé, as well as teachers with whom you’ve studied or classes you’ve taken. Of The Summary? Most importantly, even if you have no credits, be truthful!

There is no shame in humanistic examples being a beginner! Have a question? Message us on Facebook or tweet @Backstage. What did you think of this story? Leave a Facebook Comment: Seeking actors for this paid video shoot for a new smart running shoe. Do you speak German? Get cast in a Bitcoin commercial. stage staff tech.

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Examples of Humanistic Perspective

Humanistic psychology examples

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Examples of Humanistic Perspective

Social Work Advocacy Essays and Research Papers. the topic of advocacy in health and social care. Use these articles in conjunction with the module materials to discuss how . Examples! advocacy can increase the power of service users when engaging with health and history social care services. Examples! At some point in peoples lives, they will find themselves in a situation where they may need to participate in history decision-making about their care and humanistic psychology examples this essay looks at how advocacy can increase the power of service users when engaging in health and 3h20 social care services. Decision making , International Federation of Social Workers , Social justice 2367 Words | 7 Pages. ?History of social work influences current professional practice In this essay I will outline the historical origins of . Examples! social work in Ireland. Of The Ring! I will examine how the profession emerged from charity work in the 19th century to evolve into the profession it is today. To begin with it is important to define the humanistic, term social work . The Oxford English Dictionary (1989) defines social work as work of benefit to those in need of help, especially professional or voluntary service of wasteland a specialised nature.

International Federation of Social Workers , Social sciences , Social work 1689 Words | 5 Pages. There is psychology a crisis in social work which requires a radical analysis of the contradictions within contemporary social . work . The confusion about the role of social work and the declining morale and self-confidence of social workers have resulted in celine 3h20 the loss of experienced staff and reluctance of young people to consider a career in humanistic psychology examples social work . This analysis inevitably challenges the present culture of fellowship ring summary professional training. Proposals to increase the professionalism among social workers have created. International Federation of Social Workers , Social justice , Social work 1817 Words | 4 Pages. A career in humanistic psychology social work gets people involved the community and the world. Social work is a profession . that helps to improve problems faced in society in order to make it better and more civilized. Going into this project I knew all of the in text, common and most basic information about social work . But, as I began to research more on the profession if social work , I learned more than I actually thought I knew. Social work is a great profession that involves people helping people and improving the lives of.

Education , Profession , Social sciences 844 Words | 3 Pages. essay is to explore and outline the role of the social worker. As Mark Dole highlighted, the humanistic, role of history of pornography a social worker is a . complex and misunderstood role within a contemporary society. The role of the social worker ranges from being a wise eyed idealist to a realist. Social work is misunderstood by the public and psychology media. Mark Dole in his book on skills required for social worker (2011) quotes Margaret Thatcher who famously said: anyone could be a social worker: all that was needed was time on their. International Federation of sheldrake v dpp Social Workers , Social change , Social justice 2491 Words | 7 Pages.

Social Work Although a numerous amount of psychology career choices pop up in my head, I really want to be a Social worker. . I want to be a Social worker mainly because it would allow me to sheldrake v dpp make a fundamental difference in humanistic the life of someone else and thats all I can ever ask for. Social workers work in all fields. A Social worker can work in a school, a hospital, for the state, or any non-profit organization. If and when I do become a Social worker, Ill always be on the move. Ill work with a variety. Employment , International Federation of epiphany Social Workers , Social change 774 Words | 3 Pages. CODE OF ETHICS OF SOCIAL WORKERS WHAT IS A CODE OF CONDUCT / ETHICS? The Code of conduct for examples, social workers is a list of . statements that describes the standards of professional conduct required of social workers when carrying out their daily activities. |The code of ring ethics applies to social workers, student social workers and social auxiliary workers | It guides all social workers when - conducting research; providing direct service; . Ethics , International Federation of psychology Social Workers , Social work 858 Words | 5 Pages. Man is sheldrake v dpp primarily a member of a social community. He should not only be concerned about psychology himself but also for the welfare and joyce development of . society as a whole. It is truly said that Jana-Seva is Janardhana-Seva.

The feeling of humanistic examples self-satisfaction that comes when one sees the unshed tears of fellowship ring summary joy in the eyes of one whose hunger has been appeased, whose thirst has been allayed and whose needs are fulfilled is indeed heavenly. Humanistic Examples! Why we should do social service: Man lives in the society. The Who Wasteland! He learns. Social work , Sociology 1403 Words | 5 Pages. What have I learned from Social Work ? A little knowledge that acts is worth infinitely more than much knowledge that is idle. . - Kahil Gibran Social work has offered me the tools to work with communities and individuals through the process of change. By standing with (beside and behind) those with whom I work , I can offer insight, support and advocacy to communities who hope to build the frameworks for change. Humanistic! Social Work has taught me about the systems that inform and structure peoples. Critical social work , Knowledge , Learning 1509 Words | 5 Pages. discuss the role of the who wasteland a social worker as well as demonstrate the importance of humanistic psychology examples set professional values within the profession of . social work . Asa Citation! The term social work can refer to humanistic many things; there is no one objective definition of social work . Politically speaking it could be described as a political entity, therefore making it a questioned matter. However according to the international association of schools of social work and the international federation of social workers, social work has clearly been described. International Federation of Social Workers , Social change , Social justice 972 Words | 3 Pages.

Origins Social work with people with mental illness, known initially as psychiatric social work , . began in the 1950s at the six county psychiatric hospitals across Northern Ireland (Herron 1998). These hospitals were administered by the Regional Health Authorities, whilst the new psychiatric social workers were out-posted from the County Welfare Authorities. Wasteland! The introduction of generic social work under the Seebohm reforms into Northern Ireland in 1972 coincided with the establishment of the integrated. Approved Social Worker , Medicine , Mental disorder 1522 Words | 5 Pages. Master's of Social Worker program Everyone is embedded with things that make them unique.

As individuals we each bring something new, . creative, and psychology different to the table. Fellowship Ring Summary! In identifying my personal strengths and challenges as an advanced generalist social worker I feel I have the examples, most experience with the attributes I've identified as my strengths. Personal challenges to me are areas where we would like to excel, but still need improvement. In Text Asa Citation! To do this, I use my strengths to work with and ultimately. International Federation of Social Workers , School social worker , Social justice 2525 Words | 7 Pages. Values and ethical in social work practice An ethical dilemma exists: When the humanistic, social worker must choose . In Text Asa Citation! between two or more relevant, but contradictory, ethical directives, or when every alternative results in an undesirable outcome for humanistic examples, one or more persons. Fellowship Ring! Several value systems and ethical practices impact the social worker intervention and outcome. Values and humanistic psychology examples ethics are closely related .Values are a society's system of beliefs ,principles and traditions that guide behaviors and practices.

Business ethics , Ethics , Morality 2286 Words | 7 Pages. Exploration of a Profession: Social Work Interview Julie Simmons University of North Carolina at Pembroke . Exploration of a Profession: Social Work Interview If you walk into of pornography most Social Institutions where Social Workers are employed there always seem to be a few things that they have in common: adults, children and humanistic psychology a variety of facial expressions. Some faces hold despair, some hold smiles and some hold frustrated looks. What does this all mean and joyce what in the world does it have to. Caseworker , International Federation of Social Workers , Mental disorder 2092 Words | 6 Pages. In this essay I am going to critic, evaluate and analyse direct payments and the implications they have had on humanistic psychology social work . practice. The Direct Payments Act 1996 enabled local authorities to celine dion 3h20 offer cash in lieu of social services.

They were introduced for adults of working age in April 2007 and extended to humanistic psychology examples include older disabled people in 2000. In Text! Since April 2001 direct payments have also been available to examples parents of disabled children, 16 and 17 years and carers. Direct Payments have also been extended. Social work , Sociology 1651 Words | 6 Pages. Methods of Social Work Social work as a profession is a product of this century.

Although its roots . are well established in asa citation history from the time when people 1st began to take responsibility for their neighbors through activities which were called charity, poor relief, philanthropy and social reform . Social work is to fight against Five Evils as: 1. Physical want 2. Disease 3. Ignorance 4. Squalor 5. Idleness Objective: To remove social injustice To relieve social injustice To. Management , Policy analysis , Social change 521 Words | 3 Pages. Medical Social Work Through reading the psychology, text book and sheldrake v dpp listening to the information given by the speaker in humanistic psychology examples class, it has become . very clear that social workers play a significant role in celine the medical field. Humanistic! Specifically, social work is celine dion of particular importance when working with families where a serious illness has occurred. While the speaker, Jamie, spoke mostly about intervening with families in psychology examples which the serious illness directly affected a child, the text book gave other examples that also help. Family , Hospital , Illness 1470 Words | 4 Pages.

Social workers in teenage all branches of the military are helping families and psychology military personnel prepare for, and cope with, the hardships of war. . They do so through a range of preventive and clinical services provided by 3h20 the Veteran Administration with many different types of programs, including family-support and psychology mental-health counseling. The mission statement of the VA Social Workers is to fellowship of the eliminate significant barriers to clients in need and offer interventions for veterans and families. It is accomplished. Health care , International Federation of Social Workers , Military of the humanistic examples, United States 1996 Words | 5 Pages. head: BOUNDARY ISSUES IN SOCIAL WORK Boundary Issues in Social . Celine! Work : Its implication for Social Workers Florida Atlantic University Boundary issues in examples social Work : It implication for social workers Reamers article entitled. Boundary issues in social work : Managing dual relationships. provides an overview of fellowship of the summary boundary issues in social work , and also stresses the fact that social work literature clearly demonstrates.

Ethics , Human sexual behavior , Human sexuality 2066 Words | 6 Pages. The development of Social Work in the United Kingdom, United States and Australia has developed and evolved, influencing people . and psychology professionals across the world. 3h20! Social Work has advanced through welfare policies and programs with significant historical changes occurring and humanistic examples a shift in religious and celine 3h20 political views allowing these changes to benefit members of society and address social issues. Key events such as the Elizabethan Poor Law, the examples, industrial revolution, the first charity organised society. International Federation of Social Workers , Poverty , Reform movement 1723 Words | 5 Pages. drawn to social work . Social workers are highly trained professionals who care about people, who want to make . things better, and who want to relieve suffering. There are over a half million professional social workers in the United States who have all committed their lives to joyce epiphany making a difference. Who Are Social Workers? Examples of Social Work Jobs Social Work Standards Education, Licensing, and Credentials Social Work Salaries Additional Resources Who are Social Workers. International Federation of Social Workers , School social worker , Social work 1923 Words | 6 Pages. that are implicity granted to groups of humanistic examples people who reflect a site of dominance (p22 unit 2) Formal and informal power structures (p.29) How . social social influences what I know Resilance Bell Hooks discusses the importance of how students and educators need to joyce create a learning space that can be both life sustaining and mind-expanding: where we all work together to support one another.

Arney Mindell also talks that the well-being of our communities depends upon representation from all community. Aboriginal peoples in humanistic examples Canada , Community , First Nations 465 Words | 3 Pages. Social Work as a Developing Profession. 1. Teenage Wasteland! Social Work as a Developing Profession Social Work as a Profession * What is a profession . * No clear definition of the term profession * Describing its attributes * By most criteria and definitions, social work meets the humanistic examples, requirements * Greenwoods trait-attributes (1957) 1. Systematic theory * Worked hard to develop this attribute * Continuing complexity of humanity and other factors * Process of knowledge development (process model) 2. Authority . International Federation of Social Workers , Social sciences , Social work 1771 Words | 7 Pages. Advocacy in relation to social work Advocacy can be defined as pleading the case of of pornography another or as . a means of transferring power back to humanistic psychology examples the client to enable them to the who wasteland control their own affairs. Social workers interview their clients and sometimes liaise with other professionals in humanistic examples order to dion 3h20 assess their needs and draw up a plan of action. When a social worker takes on humanistic a case, the epiphany, first thing they have to do is make an assessment, that is, decide on humanistic psychology examples the appropriate course of action. It may be a question. International Federation of Social Workers , Social work , Sociology 516 Words | 2 Pages.

BS Social Work -1 Agree or Disagree Social work is the who wasteland a profession thats centred . around people. This profession works to protect vulnerable people. But being a social worker is a dangerous job. To be a social worker you need to be able to manage a heavy workload and manage time effectively. Social work can be emotionally demanding. Dealing with other people pain and suffering is demanding. Being a social worker is very stressful. You need to enhance many skills in social work which.

International Federation of Social Workers , Social justice , Social work 833 Words | 3 Pages. ?The social work profession emerged in the early nineteenth century as charitable organizations began employing trained workers . rather than relying on volunteers. This was a century when disease, laziness, poverty and humanistic examples others were exposed as social evils that needed to dion 3h20 be addressed. The movement to psychology examples stamp out celine dion 3h20, these social evils began with philanthropist women, joined later by charitable organizations and subsequently by the state or government itself (Gorsky, 1999). The philanthropic women who began.

International Federation of humanistic Social Workers , Social work , Sociology 1681 Words | 6 Pages. ?Challenging Oppression A Critical Approach to james Social Work (Bob Mullaly) Oppression is a state of being kept down by force . or authority. Personally Constructed Theory Social Work is practiced based and psychology pursues the wasteland, following to lead to well-articulated practice (functions of theory) - description, explanation, prediction, control and management of events and changes. Humanistic Psychology! There is much discussion regarding the nature of, dynamics, forms, functions and causes of oppression however there is. Intersectionality , Oppression , Psychological abuse 593 Words | 3 Pages.

types of celine clients with whom I want to work with, in the field of social work , is psychology one of the most important decisions . ever, regarding my career. From as early as childhood, I have always known that I want to work with children in james epiphany whatever career I chose. Starting my career as a social worker and working with children and families is where I feel as though I belong. I would be the least comfortable working as a criminal justice social worker. Psychology Examples! Geriatric social work is james epiphany another population that I would feel. Family , International Federation of psychology Social Workers , Social justice 918 Words | 3 Pages.

? A social worker is someone that is employed to provide social services to people, especially the disadvantaged. There are many . different types of social workers. James Epiphany! There are social workers in administration policy and research. They do research for humanistic examples, stuff like questioning diagnostics of anxiety in in text guardianship. Psychology! There are also child, family, and school social workers. They often work with families that have had problems with abuse or lose of a home; they also work with families that have serious mental. Death of Baby P , Herbert Laming, Baron Laming , International Federation of Social Workers 2913 Words | 7 Pages. of Ethics In the Code of Ethics for the Social Work Profession there are six Ethical principles that apply to everyone in the . profession. It is important for all social workers to know the values that are listed in the Ethical Principles of the Code of Ethics for the Social work Profession.

Values are a societies system of beliefs, principles, and traditions that define and influence behaviors and practices among people. It is important for all social workers to know the values that are listed. Ethics , International Federation of Social Workers , Morality 1741 Words | 4 Pages. Social Work, Othering and Disability. to have a disability.

Disability can often be seen as a form of social deviance, and sheldrake v dpp so, because of this, the disability community can be . othered and excluded within mainstream society. This essay will give examples of how othering occurs and how othering could be avoided, when working as a social worker with people with disabilities. Psychology! Social workers have an extremely important role in the lives of people with a disability. Social workers are often a person with a disabilitys voice and advocate. Developmental disability , Disability , Down syndrome 1846 Words | 6 Pages. Social Work in a Digital Age: Ethical and Risk Management Challenges Sung Sun MGMT 4330 July 28, 13 Article Summary Long . time ago, social workers began their work always used typewriters; hard copy and services were provided to consumer in offices or homes. Now social workers have the option to communicate with consumer on social networking, they provide online services to people.

They dont meet in person. The electronic records in the virtual cloud, E-mail, and text messages with consumer. Business ethics , Electronic commerce , Ethics 1021 Words | 4 Pages. Can social work profession replaced by wasteland non social work profession? ? Social work has been a profession early in the twentieth century after the soar of examples social work . education and well-organized charities (Richard, 2008). It was contributed by the charities workers, Abraham Flexner (an expert of professional education) and Ernest Greenwood who evaluated social work as a profession (DuBois Miley, 1992). The following discussion will explain more about the reason why non- social work professionals are not suitable or incapable of playing the roles and function of social. International Federation of Social Workers , Master of Social Work , Policy analysis 1182 Words | 3 Pages. well-being. At this stage of my life Social Work is sheldrake v dpp what I am most interested in psychology practicing because it provides opportunities . for me to work in many different settings with people whose problems, issues and needs are diverse.

My second choice would then be guidance counseling which is the process of helping individuals discover and wasteland develop their educational, vocational, and psychological potentialities and thereby achieve an optimal level of personal happiness and social usefulness. I am interested in. International Federation of Social Workers , Psychology , Psychotherapy 877 Words | 3 Pages. On Social Theory In Social Work We know where we have been, where we are now and where we need to go - but how do . Humanistic! we get there? A map. Theory is a map. It notes any number of known landmarks (previously achieved or applied solutions) and obstacles (issues or problems) and gives us direction so that we are able to navigate intelligently and arrive safely (minimal discomfort to all) at our destination (desired outcome/s).

Theory is an fellowship ring attempt to explain the psychology examples, unexplained, to give title to the untitled. Critical social work , Explanation , Science 1151 Words | 4 Pages. Defining Social Work Social Work is a professional service, committed to helping vulnerable . service users to in text promote positive changes in psychology their lives. A Social Worker will help them to address their problem/s and aims to assist a service user to overcome serious difficulties in their lives, providing care, protection or counselling through social support. Social Work practice consists of the professional application of Social Work values, skills and techniques.

The main five core values of a Social. Abraham Maslow , Fundamental human needs , Maslow's hierarchy of dion 3h20 needs 1564 Words | 5 Pages. Brandy Casey is psychology examples a social worker currently working at The Department of Human Services in Portland Oregon. She received her Bachelors and . Masters degree in social work at Western Oregon University. Asa Citation! She has worked in humanistic examples numerous counseling jobs around Portland.

Brandy states, however she always find herself winding back up with Child Protective Services or DHS State Of Oregon. Question One: What kind of training is required to become a Social Work ? Brandy replied To become a social worker you are. International Federation of Social Workers , Oregon , Portland State University 981 Words | 3 Pages. ? The History of Social Work Code of Ethics Abstract Every professional . organization is celine dion governed by professional ethics or a code of conduct. The organization I chose to humanistic psychology discuss in the who wasteland regards to ethics is the National Association of Social Workers or commonly known as NASW.

A code of conduct is examples intended to be a central guide and reference for users in support of day-to-day decision making. It is of pornography meant to clarify an organization's mission, values and principles. Business ethics , Ethics , International Federation of Social Workers 758 Words | 3 Pages. Social work values and humanistic psychology ethical dilemmas What are values, ethics, ethical dilemmas and a code of ethics? Values relate to in text . Psychology Examples! principles and attitudes that provide direction to everyday living. Values also refer to in text asa citation beliefs or standards considered desirable by a culture, group or individual (AASW).

Similar to values, but slightly different, ethics means a system of beliefs held about what constitutes moral judgement and humanistic psychology examples right conduct, they are moral principles (rules, guides) (AASW). So an ethical. Decision making , Ethics , Morality 1366 Words | 5 Pages. In psychology and social work , dual relationships and clinical boundaries are often common. They are often unclear and most times . the professional has a difficult time noticing them developing.

Ethical dilemmas are found in of pornography all professions, but are often different in type and solutions. Humanistic Psychology Examples! They are hard to identify and even harder to make a clear decision. Ring Summary! Dual relationships and psychology examples clinical boundaries are one of the james joyce epiphany, biggest ethical dilemmas social workers face because of the psychology examples, difficulties of finding the. Business ethics , Ethics , Interpersonal relationship 2089 Words | 6 Pages. Social Worker/Agency Interview Kathy Whitten SCWK 530 October 3, 2012 Dr. Anna Martin-Jearld Social Worker/Agency . In Text Asa Citation! Interview The Journey I chose to humanistic examples interview Mark Duney from Harbor Counseling Services for my assignment. Because I had never taken public transportation before it took some research to figure out where the Gatra runs and fellowship of the ring how do I get there because, of course, it doesnt run right out in front of my house. I walked downtown, about a half a mile, to where the Gatra stop was near. International Federation of humanistic Social Workers , Psychotherapy , Social work 2180 Words | 6 Pages.

Two Perspectives of Engagement with Clients One thing that makes social work stand out from other professions is the the who, . relationship that a social worker builds with their client. It is an important factor but can also be very challenging at times. There are several stages to the social work treatment process. Humanistic Examples! Those stages include; engagement, assessment, intervention, and sheldrake v dpp termination (USC VAC, 2013). It is vital that a social worker begin to develop a relationship with their client during their first. Culture , Emotion , Empathy 1955 Words | 5 Pages. Theories, models and perspectives - Cheat sheet for field instructors Major Theories Used in psychology examples Social Work Practice ? Systems . Theory ? Psychodynamic ? Social Learning ? Conflict Developmental Theories ? Theories of moral reasoning (Kohlberg, Gilligan) ? Theories of cognition (Piaget) ? Transpersonal theories of human development (Transpersonal means beyond or through the persona or mask. Going beyond identity rooted in the individual body or ego to fellowship of the ring summary include spiritual experience or higher levels. Behavior , Developmental psychology , Developmental stage theories 1311 Words | 5 Pages.

SOCIAL WORK SKILLS Beginning During the beginning phase, you introduce and identify yourself and seek introductions from . Humanistic! prospective clients and involved others. Following the exchange of history introductions, you describe a tentative initial purpose for psychology examples, the meeting, possibly identify one of more professional roles that you might undertake, orient participants to sheldrake v dpp the process, and identify relevant policy and ethical factors that might apply. Throughout this beginning process, you regularly seek feedback. English musical groups , Evaluation , Goal 1827 Words | 6 Pages. Social Work Rape and humanistic psychology Sexual Assualt. because only around 6% of rapists ever spend a day in of pornography jail. The statistics surrounding crimes related to rape are remarkably disappointing and reveal the . drastic need for humanistic psychology, intervention and improvement. Joyce! Programs need more funding, awareness, and advocacy . Services need to focus more on individualized help that pertains to humanistic psychology the rehabilitation of each victim. Sheldrake V Dpp! For instance, The Rape Abuse amp; Incest National Network, RAINN, has a broad spectrum of services they attempt to cover within their program. Crime , Rape , Sexual assault 1359 Words | 4 Pages.

This essay will discuss social divisions; social exclusion and social inclusion, of which there are many . definitions and interpretations. Social divisions and psychology Social exclusion has been around for many years. Social exclusion was first noticed in France in 1970s in in text asa citation relation to people who fell outside the range of the humanistic psychology, social insurance system, such as disabled people, lone parents and the young unemployed (Townsend and Kennedy, 2004). Celine Dion! Before 1997 Social exclusion was referred to as poverty, which. Homelessness , Poverty , Social class 1633 Words | 5 Pages. 2010 The field of social work is constantly being influenced by new theories and ideology that affects how . social workers engage and interact with their clients. The new ideology of the theories can impact the values of social workers. Psychology! The purpose of this paper is to explore and inform how the concepts of relationship or alliance with clients from the work of the RCT theorist, Judith Herman, and Paulo Freire has influenced my values and developing sense of sheldrake v dpp social work practice.

As a student. Cognitive behavioral therapy , Complex post-traumatic stress disorder , Paulo Freire 1618 Words | 5 Pages. As an undergrad social work student at University of examples Texas-Arlington we are taught how to become a generalist . Sheldrake V Dpp! social worker. Becoming a generalist social worker will provide us with a broad range of skills to work with micro, mezzo and macro groups from all different ethnicities, ages, and psychology religions. Of The Ring! Professors here at psychology examples, UTA teach us many different models and 3h20 theories that we can use as tools to work with our clients or groups successfully. A newer social work perspective that I would like to discuss. Empowerment , International Federation of Social Workers , Social theory 1428 Words | 5 Pages.

values play in social work practice, one of the first things to humanistic understand is what our values are, Thompson (2000) states that . In Text! One of the significant features of values is that we tend to become so accustomed to our own values and beliefs that we do not recognise that they are there or how they are influencing us. An important step, then, is to humanistic psychology examples be clear about what our values are. Thompson (2000,pp33) I will discuss both the sheldrake v dpp, personal and professional values that influence social work practice and humanistic psychology examples discuss. International Federation of Social Workers , Social justice , Social work 1598 Words | 5 Pages. Mississippi Valley State University College of james Education Pre-Field Seminar Educational Social Worker Submitted to Dr. Baxter Wright . by Britany Roland March 1, 2013 Abstract Educational Social Workers typically pick up outside the classroom where the teacher leaves off. Humanistic! The help those students transition from Middle School/Junior High to sheldrake v dpp High School, help them deal with various psychosocial issues, find solutions to humanistic problems with academics, coping skills, and teenage wasteland helping identify those. Education , Education and training occupations , High school 1460 Words | 5 Pages. from abuse but thanks to social workers and humanistic psychology examples other judicial people, there were laws passed (Pfohl). In Text! This paper is going to explain why it is humanistic examples so . Celine 3h20! important for social workers to psychology protect kids by talking about fellowship summary this history of abuse and psychology why social workers need to be around. It will also discuss what social workers do today to prevent kids from being hurt.

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Deconstruction and Graphic Design: History Meets Theory. A theory-heavy, mid-1990s look at the concept of humanistic Deconstruction, looking at its origins in French post-structuralist discourse and then current use in the design world. Since the surfacing of the term ‘deconstruction’ in epiphany design journalism in the mid-1980s, the word has served to label architecture, graphic design, products, and humanistic fashion featuring chopped up, layered, and james fragmented forms imbued with ambiguous futuristic overtones. This essay looks at the reception and use of deconstruction in the recent history of graphic design, where it has become the tag for yet another period style. We then consider the place of graphics within the theory of deconstruction, initiated in the work of psychology examples philosopher Jacques Derrida. History! We argue that deconstruction is not a style or ‘attitude’ but rather a mode of psychology examples questioning through and about the history, technologies, formal devices, social institutions, and founding metaphors of representation. Deconstruction belongs to both history and theory. It is psychology examples embedded in recent visual and academic culture, but it describes a strategy of critical form-making which is performed across a range of in text artefacts and humanistic practices, both historical and contemporary.

Jacques Derrida introduced the concept of ‘deconstruction’ in his book Of Grammatology , published in France in 1967 and translated into English in 1976. ‘Deconstruction’ became a banner for the advance guard in American literary studies in the 1970s and 80s, scandalising departments of English, French, and comparative literature. Deconstruction rejected the project of modern criticism: to uncover the meaning of a literary work by studying the way its form and content communicate essential humanistic messages. Deconstruction, like critical strategies based on Marxism, feminism, semiotics, and anthropology, focuses not on the themes and imagery of teenage wasteland its objects but rather on humanistic examples, the linguistic and institutional systems that frame the production of texts. In Derridas theory, deconstruction asks how representation inhabits reality. How does the external image of things get inside their internal essence? How does the in text, surface get under the skin?

Western culture since Plato, Derrida argues, has been governed by such oppositions as reality/representation, inside/outside, original/copy, and mind/body. The intellectual achievements of the West its science, art, philosophy, literature have valued one side of humanistic examples these pairs over the other, allying one side with truth and the other with falsehood. For example, the Judeo-Christian tradition has conceived the history, body as an external shell for the inner soul, elevating the mind as the sacred source of thought and spirit, while denigrating the body as mere mechanics. In the realm of psychology examples aesthetics, the original work of art traditionally has carried an aura of authenticity that its copy lacks, and the telling of history of pornography a story or the taking of a photograph is viewed as a passive record of events. ‘Deconstruction’ takes apart such oppositions by showing how the devalued, empty concept lives inside the valued, positive one.

The outside inhabits the inside. Consider, for example, the opposition between nature and humanistic psychology culture. The idea of ‘nature’ depends on the idea of ‘culture’, and yet culture is part of nature. Its a fantasy to conceive of the non-human environment as a pristine, innocent setting fenced off and protected from the products of human endeavourcities, roads, farms, landfills. The fact that we have produced a concept of ‘nature’ in asa citation opposition to ‘culture’ is humanistic examples a symptom of our alienation from the sheldrake v dpp, ecological systems that civilisation depletes and transforms. A crucial opposition for deconstruction is speech/writing. The Western philosophical tradition has denigrated writing as an inferior copy of the spoken word. Speech draws on psychology examples, interior consciousness, but writing is dead and abstract. The written word loses its connection to the inner self. Language is set adrift, untethered from the speaking subject.

In the process of embodying language, writing steals its soul. Deconstruction views writing as an active rather than passive form of representation. Writing is not merely a bad copy, a faulty transcription, of the spoken word; writing, in fact, invades thought and speech, transforming the fellowship of the, sacred realms of memory, knowledge, and humanistic examples spirit. Any memory system, in fact, is a form of writing, since it records thought for the purpose of future transmissions. The speech/writing opposition can be mapped onto a series of ideologically loaded pairs that are constitutive of modern Western culture: interior to the mind/exterior to the mind. requires no equipment/requires equipment. present subject/absent subject. Derridas critique of the speech/writing opposition locates the concerns of deconstruction in the field of graphic design. We will return to james joyce epiphany, the speech/writing problem in more detail later, but first, we will look at the life of deconstruction in recent design culture. The Design History of Deconstruction. Deconstruction belongs to the broader critical field known as ‘post-structuralism’, whose key figures include Roland Barthes, Michel Foucault, Jean Baudrillard, and others.

Each of these writers has looked at humanistic psychology modes of representation- from literature and photography to the design of schools and prisons -as powerful technologies which build and remake the of the, social world. Deconstructions attack on the neutrality of signs is also at work in the consumer mythologies of Barthes, the institutional archaeologies of Foucault, and the simulationist aesthetics of Baudrillard. The idea that cultural forms help to fabricate such seemingly ‘natural’ categories as race, sexuality, poetic genius, and aesthetic value had profound relevance to humanistic psychology, visual artists in james the 1980s. Post-structuralism provided a critical avenue into ‘post-modernism’, posing a left-leaning alternative to the periods nostalgic returns to figurative painting and neo-classical architecture. While Barbara Kruger, Cindy Sherman, and Victor Burgin attacked media myths through their visual work, books such as Hal Fosters The Anti-Aesthetic and Terry Eagletons Literary Theory delivered post-structuralist theory to students in an accessible form.

Graphic designers in many U. S. art programs were exposed to critical theory through the fields of photography, performance and installation art during the early 1980s. The most widely publicised intersection of post-structuralism and graphic design occurred at the Cranbrook Academy of Art, under the leadership of co-chair Katherine McCoy. Designers at psychology examples Cranbrook had first confronted literary criticism when they designed a special issue of Visible Language on asa citation, contemporary French literary aesthetics, published in the summer of 1978. Daniel Libeskind, head of humanistic Cranbrooks architecture program, provided the graphic designers with a seminar in literary theory, which prepared them to develop their strategy: to systematically disintegrate the the series of essays by expanding the spaces between lines and words and pushing the summary, footnotes into the space normally reserved for the main text. French Currents of the Letter, which outraged designers committed to the established ideologies of problem-solving and direct communication, remains a controversial landmark in experimental graphic design. According to Katherine McCoy, post-structuralist texts entered more general discussions at examples Cranbrook around 1983. She has credited Jeffery Keedy, a student at the school from 1983-85, with introducing fellow course members to books by Barthes and of the summary others. The classes of 1985/87 and 1986/88 also took an active interest in critical theory; students at humanistic examples this time included Andrew Blauvelt, Brad Collins, Edward Fella, David Frej, and Allen Hori.

Close interaction with the photography department, under the leadership of Carl Toth, further promoted dialogue about post-structuralism and visual practice. Post-structuralism did not serve as a unified methodology at the school, however, even in the period of its strongest currency, but was part of an eclectic gathering of ideas. Asa Citation! According to Keedy, students at Cranbrook when he was there were looking at everything from alchemical mysticism to the ‘proportion voodoo’ of the golden section. McCoy recalled in a 1991 interview: ‘Theory had become part of the examples, intellectual culture in art and of pornography photography. We were never trying to apply specific textsit was more of humanistic a general filtration process. The term deconstructivist drives me crazy. Post-structuralism is an attitude, not a style’. But what is the difference between ‘style’ and ‘attitude’? If ‘style’ is a grammar of form-making associated with a particular historical and cultural situation, then perhaps ‘attitude’ is the unarticulated, just out-of-focus background for the specificities of style.

The response to post-structuralism at Cranbrook was largely optimistic, side-stepping the profound pessimism and political critique that permeates these writers major works. The Who Teenage! McCoy used the architectural theory of Robert Venturi and Denise Scott Brown as a ‘stepping stone’ to post-structuralism, enabling her to merge the Pop aestheticisation of the American commercial vernacular with post-structuralisms critique of ‘fixed meaning’. McCoys preference for celebration over criticism is echoed in Keedys comment, ‘It was the poetic aspect of examples Barthes which attracted me, not the fellowship, Marxist analysis. After all, were designers working in a consumer society, and while Marxism is interesting as an idea, I wouldnt want to put it into practice’. Post-structuralisms emphasis on the openness of meaning has been incorporated by many designers into a romantic theory of self-expression: as the argument goes, because signification is not fixed in material forms, designers and readers share in the spontaneous creation of meaning. Humanistic Psychology! This approach represents a rather cheerful response to the post-structuralist theme of the ‘death of the author’ and the assertion that the interior self is constructed by external technologies of dion 3h20 representation. According to the writings of Barthes and psychology Foucault, for example, the citizen/artist/producer is not the imperious master of systems of language, media, education, custom, and so forth; instead, the individual operates within the limited grid of possibilities these codes make available. Rather than view meaning as a matter of private interpretation, post-structuralist theory tends to sheldrake v dpp, see the realm of the ‘personal’ as structured by external signs. Invention and revolution come from tactical aggressions against this grid of possibilities. ‘Deconstructivism’ catapulted into the mainstream design press with MoMAs 1988 exhibition Deconstructivist Architecture, curated by Philip Johnson and humanistic examples Mark Wigley. The curators used the term ‘deconstructivism’ to link certain contemporary architectural practices to Russian Constructivism, whose early years were marked by an imperfect vision of form and asa citation technology.

The MoMA exhibition located a similarly skewed interpretation of modernism in the work of Frank Gehry, Daniel Libeskind, Peter Eisenman, and others. Wigley wrote in his catalogue essay: ‘A deconstructive architect isnot one who dismantles buildings, but one who locates the inherent dilemmas within buildings. The deconstructive architect puts the pure forms of the architectural tradition on the couch and humanistic identifies the symptoms of a repressed impurity. Celine Dion! The impurity is drawn to the surface by humanistic, a combination of gentle coaxing and violent torture: the form is interrogated’. In Wigleys view, deconstruction in architecture asks questions about modernism by celine 3h20, re-examining its own language, materials, and processes. By framing their exhibition around a new ‘ism’, Wigley and Johnson helped to canonise the elements of a period style, marked by twisted geometries, centerless plans, and shards of humanistic psychology glass and metal. This cluster of stylistic features quickly emigrated from architecture to graphic design, just as the icons and colours of neo-classical post-modernism had travelled there shortly before. While a more critical approach to deconstruction had been routed to graphic designers through the fields of photography and the fine arts, architecture provided a ready-to-use formal vocabulary that could be broadly adopted. ‘Deconstruction’, ‘deconstructivism’, and just plain ‘decon’ became design-world cliches, where they named existing tendencies and catalysed new ones in james joyce the fields of furniture and fashion as well as graphic design. In 1990 Philip Meggs published a how-to guide for would-be deconstructivists in the magazine Step-by-Step Graphics. His essay, which includes a journalistic account of how the term ‘deconstruction’ entered the field of graphic design, focuses on style and works back to theory.

Following the logic of the MoMA project, his story begins with Constructivism and humanistic ends with its ‘deconstruction’ in contemporary design; unlike Wigley, however, Meggss story depicts early modernism as a purely rational enterprise. Chuck Byrne and Martha Wittes more analytical piece for Print (1990) describes deconstruction as a ‘zeitgeist’, a philosophical germ circulating in contemporary culture that influences graphic designers even though they might not know it. Celine 3h20! Their view corresponds roughly to McCoys sense of post-structuralism as a general ‘attitude’ or ‘filtration process’ responding to the ‘intellectual culture’ of the time. Byrne and Wittes article identifies examples of deconstruction across the ideological map of contemporary design, ranging from the work of Paula Scher and Stephen Doyle to Lucille Tenazas and Lorraine Wild. Today, in psychology the mid-90s, the term ‘deconstruction’ is asa citation used casually to label any work that favours complexity over simplicity and dramatises the formal possibilities of digital production- the term is commonly used to invoke a generic allegiance with ‘Cranbrook’ or ‘CalArts’, a gesture which reduces both schools to flat symbols by blanketing a variety of humanistic psychology examples distinct practices. Our view of deconstruction in james graphic design is at once narrower and broader in its scope than the view evolving from the current discourse. Rather than look at deconstruction as a historical style or period, we see deconstruction as a critical activity -an act of questioning. The visual resources of typography help demarcate Derridas ideological map of the biases governing Western art and examples philosophy. Having looked at deconstructions life in recent design culture, we will now locate design within the theory of deconstruction. Design in Deconstruction.

Derridas critique of the celine dion, speech/writing opposition developed out of his reading of humanistic examples Ferdinand de Saussures Course in General Linguistics , a foundational text for modern linguistics, semiotics, and anthropology. Saussure asserted that the celine dion, meaning of signs does not reside in the signs themselves: there is no natural bond between the signifier (the signs material aspect) and the signified (its referent). Instead, the meaning of a sign comes only from examples, its relationship to other signs in a system. This principle is the basis of structuralism, an approach to sheldrake v dpp, language which focuses on humanistic psychology examples, the patterns or structures that generate meaning rather than on the ‘content’ of a given code or custom. Saussure revealed that because the sign has no inherent meaning, it is, taken by itself, empty, void, absent. The sign has no life apart from the system or ‘structure’ of language. Saussure revealed that language is not a transparent window onto the who teenage wasteland pre-existing concepts, but that language actively forms the realm of ideas. Humanistic Examples! The base, material body of the signifier is not a secondary copy of the dion 3h20, elevated, lofty realm of concepts: both are formless masses before the articulating work of language has sliced it into distinct pieces. Instead of thinking of language as a code for passively representing ‘thoughts’, Saussure showed that ‘thoughts’ take shape out of the material body of humanistic psychology language. Derridas Of Grammatology points out that although Saussure was willing to james joyce, reveal the emptiness at the heart of language, he became infuriated when he saw the same principle at work in writing, the humanistic, system of signs created to in text asa citation, represent speech. Saussures text views writing as a copy of speech, an artificial technology for reproducing language.

While the psychology examples, alphabet claims to of the ring, be a phonetic transcription of spoken sounds, codes such as written English are full of irrational spellings: for humanistic, example, words that sound the same but are spelled differently (meet/meat), and letter combinations with unexpected pronunciations (th-, sh-, -ght). Fellowship Of The Ring Summary! The tone of Saussures critique escalates from mild irritation at the beginning of his presentation to examples, impassioned condemnation of the history, alphabets violation of an innocent, natural speech: ‘writing obscures language; it is psychology not a guise for language but a disguise’. The ‘tyranny of the who teenage writing’ distorts its pristine referent through ‘orthographic monstrosities’ and ‘phonic deformations’. Saussure specifically concerned himself with phonetic writing, the paradigmatic medium of Western culture, which translates the diverse sounds of a language into a set of repeatable graphic marks. Humanistic Psychology Examples! He explicitly excluded pictographic and ideographic scripts from his attack on writing; Chinese ideograms have fewer ‘annoying consequences’ than the alphabet, because their users clearly understand their role as secondary signs for spoken words. The power (and seductiveness) of phonetic writing lies in its economy: a small number of characters can represent an ever-expanding quantity of words. Unlike pictographic or ideographic scripts, phonetic writing represents the signifier of the who wasteland language (its material sound) rather than the signified (its conceptual meaning or ‘idea’). Whereas an psychology examples, ideogram represents the concept of a word, phonetic characters merely represent its sounds.

The alphabet thus embraces the arbitrariness of the sign by considering the signifier independently of its meaning. As an intellectual technology, alphabetic writing can be compared to photography: it is an in text asa citation, automatic record of the surface of language. The alphabet cleaved language into an inside and an outside: the destiny of phonetic writing is to occupy the outside, to humanistic psychology, be a mechanical copy of the signifier, leaving intact a sacred interior. The belief in the interiority, the fullness, of speech depends on the existence of an exterior, empty representationthe alphabet. Similarly, the notion of ‘nature’, as an ideal realm separate from human production, emerged as ‘civilisation’ was despoiling the broader ecological systems in which culture participates. To ‘deconstruct’ the relationship between speech and writing is to reverse the status of the two terms, but not just to replace one with the other, but rather to show that speech was always already characterised by the same failure to transparently reflect reality. There is no innocent speech.

In Of Grammatology , Derrida asserted that an intellectual culture (or episteme) built on the opposition between reality and representation has, in fact, depended on representations to construct itself: ‘External/internal, image/reality, representation/presence, such is the old grid to sheldrake v dpp, which is given the task of psychology outlining the domain of of pornography a science. And of what science? Of a science that can no longer answer to the classical concept of the episteme because the originality of humanistic examples its field- an originality that it inaugurates is that the opening of the image within it appears as the condition of reality, a relationship that can no longer be thought within the simple difference and the uncompromising exteriority of image and reality, of outside and inside, of appearance and teenage essence ’. The fact that our culture developed a phonetic writing system one which represents the material signifier in isolation from the sacred signified -is indicative of our primary alienation from the spoken language. Phonetic writing, because it makes use of the gap between signifier and signified, is humanistic not simply a secondary reflection of language, but is a symptom of languages lack of celine presence, its lack of interior self-completeness. Derridas final attack on the notion of writing as a secondary copy of speech is to make the claim that ‘phonetic writing does not exist’. Not only does writing inhabit speech, transforming its grammar and sound, and not only does phonetic writing exist as languages ‘own other’, an ‘outside’ manufactured to humanistic, affirm its own complete ‘insidedness’, but this model of the ‘outside’ continually fails to teenage wasteland, behave in the manner expected of it.

Thus where Saussure had claimed that there are only two kinds of writing- phonetic and ideographic -Derrida found the frontiers between them to psychology, fluctuate. Phonetic writing is full of non-phonetic elements and functions. Some signs used in conjunction with the alphabet are ideographic, including numbers and mathematical symbols. Other graphic marks cannot be called signs at all, because they do not represent distinct ‘signifieds’ or concepts: for example, punctuation, flourishes, deletions, and patterns of difference such as roman/italic and uppercase/lowercase. What ‘idea’ does the space between two words or a dingbat at the end of a line represent? Key among these marks, which Derrida has called ‘graphemes’, are various forms of spacingnegative gaps between the positive symbols of the alphabet. Spacing cannot be dismissed as a ‘simple accessory’ of writing: ‘That a speech supposedly alive can lend itself to spacing in its own writing is what relates to its own death’. The alphabet has come to rely on silent graphic servants such as spacing and punctuation, which, like the 3h20, frame of a picture, seem safely ‘outside’ the proper content and humanistic psychology internal structure of a work and yet are necessary conditions for making and reading. Follow Typotheque on Twitter or Facebook.

Derridas book The Truth in Painting unfolds the history, logic of framing as a crucial component of works of art. In the Enlightenment aesthetics of humanistic Kant, which form the basis for modern art theory and james epiphany criticism, the frame of a picture belongs to a class of elements called parerga, meaning ‘about the work’, or outside/around the work. Kants parerga include the columns on buildings, the draperies on statues, and humanistic examples the frames on pictures. A frame is an ornamental appendix to a work of art, whose ‘quasi-detachment’ serves not only to hide but also to reveal the joyce epiphany, emptiness at the core of the seemingly self-complete object of aesthetic pleasure. In Derridas words, ‘The parergon is psychology examples a form that has, as its traditional determination, not that it stands out but that it disappears, buries itself, effaces itself, melts away at the moment it deploys its greatest energy. The Who Teenage! The frame is in no way a background.but neither is its thickness as margin a figure. Or at least it is a figure which comes away of psychology its own accord’. Like the history, non-phonetic supplements to the alphabet, the borders around pictures or texts occupy an ambiguous place between figure and ground, positive element and negative gap. Spacing and punctuation, borders and frames: these are the territory of graphic design and humanistic psychology typography, those marginal arts which articulate the conditions that make texts and images readable. The substance of typography lies not in the alphabet per se- the generic forms of characters and sheldrake v dpp their conventionalised uses -but rather in humanistic psychology the visual framework and celine specific graphic forms which materialise the system of writing. Design and typography work at the edges of writing, determining the shape and style of letters, the examples, spaces between them, and james their positions on the page.

Typography, from its position in the margins of communication, has moved writing away from speech. Design as Deconstruction. The history of typography and psychology examples writing could be written as the development of formal structures which have articulated and explored the border between the inside and the outside of the text. Of The! To compile a catalogue of the micro-mechanics of publishing- indexes and title pages, captions and colophons, folios and footnotes, leading and line lengths, margins and marginalia, spacing and humanistic examples punctuation -would contribute to the field which Derrida has called grammatology, or the study of writing as a distinctive mode of representation. This word, grammatology, serves to title the book whose more infamous legacy is deconstruction. Such a history could position various typographic techniques in relation to the split between form and content, inside and outside. Some typographic conventions have served to rationalise the delivery of information by erecting transparent ‘crystal goblets’ around a seemingly independent, neutral body of ‘content’. Some structures or approaches invade the sacred interior so deeply as to turn the text inside out, while others deliberately ignore or contradict the internal organization of a text in response to external pressures imposed by technology, aesthetics, corporate interests, social propriety, production conveniences, etc. Robin Kinrosss Modern Typography (1992) charts the progressive rationalisation of the forms and uses of letters across several centuries of European history.

Kinrosss book characterises printing as a prototypically ‘modern’ process, that from its inception mobilised techniques of mass production and precipitated the sheldrake v dpp, mature arts and sciences. The seeds of modernisation were present in humanistic Gutenbergs first proofs; their fruits are born in the self-conscious methodologies, professionalized practices, and standardised visual forms of printers and typographers, which, beginning in the late seventeenth century, replaced an older notion of printing as a hermetic art of ‘black magic’, its methods jealously guarded by a caste of sheldrake v dpp craftsmen. If Kinrosss history of psychology examples modern typography spans five centuries, so too might another history of deconstruction, running alongside and sheldrake v dpp beneath the erection of humanistic psychology examples transparent formal structures and coherent bodies of fellowship of the ring summary professional knowledge. Derridas own writing has drawn on humanistic psychology, forms of page layout from outside the accepted conventions of university publishing. His book Glas , designed with Richard Eckersley at the University of Nebraska Press, consists of parallel texts set in different typefaces and written in heterogeneous voices. Glas makes the joyce, scholarly annotations of medieval manuscripts and the accidental juxtapositions of modern newspapers part of humanistic psychology a deliberate authorial strategy. A study of typography and writing informed by deconstruction would reveal a range of structures that dramatise the joyce epiphany, intrusion of visual form into verbal content, the invasion of ‘ideas’ by graphic marks, gaps, and psychology differences.

There are two different attitudes towards framing the text. In the in text, first, the margins are a transparent border for the solid block dominating the page. The lines of classical roman characters are minimally interruptedparagraph breaks are indicated only by a wider gap within the line, preserving the text as a continuously flowing field of letters. The second example draws on the tradition of scribal marginalia and biblical commentary. Here, typography is an humanistic examples, interpretive medium; the text is open rather than closed. The first example suggests that the frontiers between interior and in text asa citation exterior, figure and ground, reader and writer, are securely defined, while the second example dramatises such divides by humanistic psychology, engulfing the center with the edge. Another comparison comes from the history of the newspaper, which emerged as an the who teenage, elite literary medium in the seventeenth century. Early English newspapers based their structure on humanistic psychology examples, the classical book, whose consistently formatted text block was designed to be read from beginning to end. As the newspaper became a popular medium in nineteenth-century Europe and America, it expanded from a book-scaled signature to a broadsheet incorporating diverse elements, from reports of war and crime to sheldrake v dpp, announcements of examples ship departures and ads for goods and services. The modern illustrated newspaper of the twentieth century is a patchwork of competing elements, whose juxtaposition responds not to rational hierarchies of content but to the struggle between editorial, advertising, and production interests.

While the structure of the classical news journal aspired to of pornography, the status of a coherent, complete object, the appearance of the popular paper results from frantic compromises and arbitrary conditions; typographic design serves to distract and seduce as well as to clarify and explain. Dictionaries of page design featuring schematic diagrams of typical layouts have been a common theme in twentieth-century design. Such visual enactment of theory include Jan Tschicholds 1934 manifesto ‘The Placing of Type in a Given Space’, which charts a range of subtle variations in the placement of humanistic examples headings and body copy, and Don Mays 1942 manual 101 Roughs , which catalogues various types of commercial page design. While Tschichold charted minor differences between clearly ordered elements, May accommodated the diverse media and competing messages found in advertising. History! Both theorists presented a series of formal containers for abstract, unspecified bodies of ‘content, ’ but with a difference: Tschichold?s structures are neutral frames for dominant textual figures, while May?s patterns are active grounds which ignore conventional hierarchies in favour of such arbitrary rules as ‘Four point: The layout touches all four sides of the space once and only once’, or ‘Center axis: The heading copy, illustration, and logotype flush on alternate sides of axis’. If one pursued the study of ‘grammatology’ proposed by Derrida, the resulting catalogue of forms might include the graphic conditions outlined above. In each case, we have juxtaposed a coherent, seemingly self-complete literary artefact with a situation where external forces aggressively interfere with the psychology examples, sacred interior of content.

A history of typography informed by deconstruction would show how graphic design has revealed, challenged, or transformed the accepted rules of communication. Such interventions can represent either deliberate confrontations or haphazard encounters with the social, technological, and aesthetic pressures that shape the making of texts. In a 1994 interview in The New York Times Magazine, Derrida was asked about the james, purported ‘death’ of deconstruction on North American campuses; he answered, ‘I think there is examples some element in james joyce deconstruction that belongs to the structure of history or events. It started before the academic phenomenon of deconstruction, and it will continue with other names’. In the spirit of this statement, we are interested in examples de-periodizing the relevance of deconstruction: instead of fellowship summary viewing it as an ‘ism’ of the late-80s and early-90s, we see it as part of the ongoing development of design and typography as distinctive modes of representation. But deconstruction also belongs to culture: it is an operation that has taken a name and has spun a web of influence in particular social contexts. Humanistic! Deconstruction has lived in a variety of institutional worlds, from university literature departments to schools of art and design to the discourse of popular journalism, where it has functioned both as a critical activity and as a banner for a range of styles and attitudes. We will close our essay with two examples of sheldrake v dpp graphic design that actively engage the language of contemporary media: the first confronts the politics of representation, while the second remakes designs internal language. Vincent Gagliostros cover for NYQ, a gay and lesbian news magazine, was designed in November, 1991, in response to examples, Magic Johnsons announcement that he is HIV+. Gagliostro imposed NYQs own logo and headline over a Newsweek cover featuring Magic Johnson proclaiming ‘Even me’, his upheld arms invoking saintly sacrifice and celine dion athletic vigour. ‘He is not our hero’, wrote NYQ over the existing cover. Psychology! While Gagliostros layering and splicing of type and image are shared with more aestheticized, individualised gestures found elsewhere in contemporary design, this cover does not aim to trigger an infinite variety of ‘personal’ interpretations but instead explicitly manipulates an ideologically loaded artefact.

Gagliostros act of cultural rewriting is a powerful response to the ubiquity of normative sign systems, showing that the structures of mass media can be reshuffled and reinhabited. The NYQ cover reveals and exploits the function of framing as a transformative process that refuses to remain outside the editorial content it encloses. The manipulation of existing media imagery is one activity in contemporary design that can be described as deconstruction; another is the exploration of the visual grammar of communication, from print to the electronic interface. Dion! Designers working in hypermedia are developing new ways to generate, distribute, and use informationthey are reinventing the language of graphic design today, just as typographers reacted to the changing technologies and social functions of printed media in the past. Examples! A leading pioneer of this research was Muriel Cooper, who founded the Visible Language Workshop at MIT in history 197X.

In the wake of psychology examples her death in the spring of 1994, her students are continuing to build a concrete grammar of three-dimensional, dynamic typography. Cooper called the basic elements of this language ‘geometric primitives’, defined by relationships of size, brightness, colour, transparency, and location in 3-D space, variables which can shift in response to the user?s position in a document. Cooper and her students have worked to restructure the internal language of dion typography in four dimensions. Spacing, framing, punctuation, type style, layout, and other non-phonetic marks of difference constitute the material interface of writing. Traditional literary and linguistic research overlook such graphic structures, focusing instead on the Word as the center of communication. According to Derrida, the examples, functions of repetition, quotation, and fragmentation that characterise writing are conditions endemic to all human expressioneven the seemingly spontaneous, self-present utterances of speech or the smooth, naturalistic surfaces of painting and teenage wasteland photography.

Design can critically engage the mechanics of representation, exposing and revising its ideological biases; design also can remake the grammar of examples communication by discovering structures and patterns within the material media of sheldrake v dpp visual and verbal writing. This is an earlier version of the essay ‘Deconstruction and psychology Graphic Design’, published in Design Writing Research .