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Salman Rushdie. An Anthology of Critical Essays in New Millennium. The Novels of Salman Rushdie: A Postcolonial Reading. Section-A Midnights Children: Fiction, History and the Nation. 1. Presentation of themes a Wounded Civilization: A Cosmopolitan Perspective of Midnights Children. 2. The Great Born! The Dichotomous Nature of Decolonisation of India in Salman Rushdies Midnights Children. Sutanuka Ghosh Roy.

3. Interfacing Myth vs. History: A Postcolonial Study of themes Salman Rushdies Midnights Children. Ram Bhawan Yadav. 4. Salman Rushdies Midnights Children: A Kaleidoscopic View. T. Sasikanth Reddy.

5. In Time of Narrating the Nation: Rushdies Transcendence of National History in Midnights Children. Section-B Diasporic Identity, Intertextuality, Treatment of History and Autobiography. 6. Diasporic Identity in Salman Rushdie's Shalimar the Clown. 7. Indianness and Satire of History in the devils wife poem, Salman Rushdies The Moors Last Sigh. 8. Metamorphosis! Journey towards New World in the selected Novels of Salman Rushdie. 9. Globalization and Cosmopolitanism: Major Themes in the devils poem, the Works of metamorphosis themes Salman Rushdie. Hetal K. The Patriot Film! Kachhia. 10. Theological Aspects and Diasporic Sensibilities in Rushdies Satanic Verses.

11. Salman Rushdies Shame: A Study of Narrative Strategies. Nesha Sabar and Pramod Kumar Das. 12. Salman Rushdie: A Self-Proclaimed Controversialist. 13.

Chutneys, Pickles, Palimpsests and Collages: Lived and Imagined Temporalities in the Works of Salman Rushdie. 14. Nation and Non-narration: Multiplicity, Hybridity and Heterogeneity in Salman Rushdies The Moors Last Sigh. Manjeet Kumar Kashyap. 15. Metautobigraphicity: Some Observations on Salman Rushdies Enchantress of Florence-165. A Note on Contributors Profile.

The Novels of Salman Rushdie: A Postcolonial Reading. Salman Rushdies novels launch a scathing critique of intellectuals and politicians whose endorsement of pluralism is purely rhetorical. Metamorphosis Themes! Rushdie shows that people who claim to amityville horror fake, promote unity are actually complicit in metamorphosis themes, creating ethnic strife Rushdie wants a productive, inclusive cosmopolitanismcan have serious unintended consequences. (Trousdale 91) Rushdie may epitomize the migrant writer par excellence with all its potential for horror fake reinventing the metamorphosis, world and the subject of human identity, but the Rushdie affair also places him in a position in which he seems to personify the flip side of globalizationthat is, the clash of civilizations, the increasing gap between cultures, and the proliferation of fundamentalism. (Frank 132) The winner of the horror fake, Booker Prize (1981), the Booker of Bookers (1993) and the Best of the Bookers (2008) and, of late, the PEN Pinter (2014), the name that has dominated the literary world since establishing himself as a leading exemplum of postcolonial, postmodern and diaspora writings, is the renegade, Sir Ahmed Salman Rushdie. Famous for multifarious writing, he himself is a multifaceted personality, often emerges as an unpredictable figure with an themes unfathomable depth of athens creativity and criticism. Being an iconoclast, Rushdie never chooses the trodden road: he rather plunges headstrong into metamorphosis, the unexplored territories of horror literature, not yet attempted. For the Booker, he never ran the race rather he reached the metamorphosis themes, zenith of the success by bagging the same for was the of matthew Midnights Children in 1981. Themes! This monumental novel has carved niche not only in the history of the poem, Indian English literature but also in the multilingual Literature/s written across the world.

Rushdie played a ground-breaking role in new beginnings the blending of metamorphosis themes history with fiction and magic realism. Born! With him begins the era of new writings, new experiments giving him a new identity the postmodern figure and a progenitor of new generation - the metamorphosis themes, midnights children. Not only his works but he himself also is a postmodern product - a blend of a god for literary aestheticians and a Satan for religious aestheticians. He has therefore generated enormous interest in intellectual circles as a vibrant writer for amityville horror analysis and interpretation of his writings. He is a recipient of the Booker from the metamorphosis, judges of literary art, hooker from political commercials and Fatwa from the self-declared custodians of Islam, of Allah. He is a fighter combating with his two selvesthe inner and the outer, and also at when gospel of matthew written the same time with the metamorphosis, external world for his The Satanic Verses. His literary dictatorship entangles him into of media, controversies, and arrows of words penetrating his heart and mind compelling him for introspection.

However, Rushdie defends himself at metamorphosis an appearance at 92nd Street Y, expressing his views on amityville fake, copyright while answering a question whether he had considered copyright law barriers (impediments) to free speech: No but thats because I write for a living, (laughs) and have no other source of metamorphosis themes income, and I naively believe that stuff that I create belongs to when was the of matthew written, me, and that if you want it you might have to give me some cash. [] My view is I do this for a living. The thing wouldn't exist if I didn't make it and so it belongs to me and don't steal it. You know. It's my stuff. 1.

He advocates the application of higher criticism, pioneered during the late 19th century. In a guest opinion piece printed in The Washington Post and The Times in mid-August 2005, Rushdie called for a reform in Islam: What is needed is themes, a move beyond tradition, nothing less than a reform movement to bring the when, core concepts of Islam into the modern age. A Muslim Reformation to combat not only the jihadist ideologues but also the dusty, stifling seminaries of the metamorphosis, traditionalists, throwing open windows to let in much-needed fresh air . Amityville Horror! . . It is high time, for starters, that Muslims were able to study the revelation of metamorphosis themes their religion as an event inside history, not supernaturally above it, . . . Broad- mindedness is related to tolerance; open-mindedness is the sibling of piece. 2. Call him a defector or a Satan or an antireligious rabble but he seeks Gods blessings by asking for an apology through his Luka and the Fire of Life. The apology is not for having been blasphemous but for having shaken the faith of Muslims before preparing a suitable environment for developing humanist and rational thinking in them that could save them from being blind traditionalist and religious fundamentalists. The heterogeneous journeys of of media his writing transform him into a sage of metamorphosis literary art and devotee of the God, the Allah. And Sparta! He admits, Man is the metamorphosis, storytelling Animal, and that in stories are his identity, his meaning, and poem his lifeblood (Luka 34).

It is for this reason, perhaps, the Allah saved Rushdie from Hezbollahs bomb attack to assassinate him. Moreover, despite all controversial condemnations, he was knighted for his services to literature in the Queens Birthday Honours on 16th of June, 2007. He remarked, I am thrilled and humbled to receive this great honour, and I am very grateful that my work has been recognized in this way. 3 Rushdies emergence with his creative bulk has dazzled and amazed for being unconventional rather than becoming conundrum for both, the contemporary authors and the readers. He began writing as an anti-colonial and postcolonial reactionary to the West; he switched to incorporate diasporic experiences of his own and of other migrants as well. He, thus, pioneered himself in Diaspora writing and world literatures which are over-ripe fruits of postcolonialism. He pioneered himself as a major voice of decolonization, multiculturalism, diasporic experiences and also of new humanism. His works embody the stamp of concurrent Indian conventions and Indo-Anglian interests which lead him to interface with the metamorphosis, worldwide readership, especially to the Western audience. The publication of The Satanic Verses landed him in the labyrinth of controversy worldwide and resulted decreed death sentence (Fatwa) on him. It epitomizes the postcolonialists flimsy and constant battle to of media, balance the demands of conflicting cultures. Struggling with his inner conflicts and colonial identity, living as a permanent outsider, he searches for personal authenticity in one or many cultures.

He is the spokesperson for the people of the subcontinent who are presently residing in the alien lands. Staying within the domains of the metamorphosis themes, mainstream ideologues such as Britain and the US, he mimics and comments on all Western ideologies and proves himself to be a representative of the East. Religious and cultural diversity of horror fake both India and Britain offers Rushdie a wealth of the experience of unnumbered issues and themes that consistently refract throughout his oeuvre. It is his multilevel experience that becomes valuable materials for the variety of his following novels. Every novel of Salman Rushdie deals with the thoughts of national and International theses keeping in mind his primary focus on his India and its subcontinents i.e. Pakistan and Bangladesh. The very opening pages of his novels evoke the metamorphosis themes, themes of migration, exile, diasporic consciousness, nationalism, multiculturalism, dualism etc. Film! His writings have become the focus of a certain kind of struggle for cultural identity in Britain and other Western states. Midnights Children, his magnum opus, is an agenda of postcolonial and postmodern reactions.

The novel is a conglomeration of an assortment of themes occurred in postcolonial India. It is a fantasized version of the metamorphosis, historical reality of India that spans from the on role, Jallianwala Massacre of metamorphosis themes 1919 to the period of Emergency imposed by Indira Gandhi in poem, 1977. Rushdies new venture of themes blending history with fiction and fiction with history employing the technique of the patriot magic realism and supernatural elements make the novel characteristically more different than what many other authors had already attempted. Midnights Children is superficially the biography of Saleem Sinai and potentially autobiography of Salman Rushdie but allegorically the history of India. The same has recently been adapted to a movie with eponymous title by Deepa Mehta in which Rushdie has given his voice over. Employing the narrative techniques of Gabriel Garcia Marquez and Gunter Grass, Rushdie amalgamates facts with fiction so artistically that sometimes it becomes a Herculean task to themes, differentiate between truth (history) and fiction (literary invention). Midnights Children, thus, has become a trend-setter since its publication in 1981. As Rajeshwar Mittapalli and Pier Paulo Piciucco put it:

The imaginative re-working of Indian history in a culturally hybrid environment, the innovative use of literary techniques. together with a supreme command of the English language and a genius for story telling modeled on the hoary Indian narrative traditions and was the cultural practices, had established Midnight's Children as a trend setter and classic for all times. (Preface) The novel deals with displacement and rootlessness which are the main factors of identity crisis. Themes! Almost all the major characters whether it is Saleem Sinai or Shiva or Padma or Parvati suffer from this psychological disease of horror alienation and identity crisis. Sinai is a true portrait of Rushdie for he himself is the victim of same ailment. The hero Saleem, like his creator, wanders from place to place, from Bombay to Karachi and from Karachi to Bangladesh finally comes back to Bombay. Metamorphosis! Rushdie himself returns to India again by the time, not to the geographical India but to the India of the mind (Rushdie, 1991). In view of Klaus Boerner, Midnights Children is a Copernican turning-point in the history of literature and of ideas (23) that paves the path for other novels of Rushdie. The effect of this Booker winner substantive text has worked as guiding force behind writing other novels.

Thus, the next novel Shame was found to be a shorter version of its predecessor Midnights Children dealing with the history of Pakistan- an insufficiently imagined country, with a blend of diasporic discourse than of fiction. Overtly it is on role, a novel about political turmoil of Pakistan presenting the themes, issues and conflicts of the then conditions but covertly it deals with many major and minor political and social issues. Themes! The novel marks the condition of Pakistani women in the light of postcolonial theory. The condition of diasporic women is worse; they are doubly marginalized, and are the victims of patriarchal dominance. In both of these novels, Rushdies representation of textualized history displays his multiple aspects that replace the athens, uni-linear version of official history.

Rushdies history is the metamorphosis themes, version of where was catherine the great born his memory rather than the metamorphosis themes, officially written one. He never describes the past but remakes the past to suit his present purpose using memory as his tool. Midnights Children and Shame are to some extent, the history of was catherine born India and Pakistan respectively. But his novels move beyond the metamorphosis, bounds of history for the purpose of finding universal significance of historical forces that are operating at a particular phase of time. He manipulates the truth to where was catherine the great born, fictionalize it and thus, makes the real unreal and vice versa. The third novel of Rushdie, The Moors Last Sigh is metamorphosis themes, more a postmodern than a postcolonial one. The protagonist and narrator Moor inherits the blend of races and creeds of essay of media India. His mother Aurora has the blood of Portuguese invaders as well as Catholicism in her veins whereas his father is one of the last Jews of Cochin and a descendant of Boabdil, the last Moorish ruler of themes Spain.

The entire family mimics the chaotic diversity of South India. Throughout the narrative Rushdie celebrates multiculturalism and hybrid ethnicity. This novel presents a family that splits on the views of nationalism and anti-nationalism and the division of the family symbolizes the divisions in the country in the name of pro-Empire and freedom loving people. The Moors Last Sigh is also an attack on the parochial Hinduism led by Shiv Sena in on role, Maharashtra. Metamorphosis! The people of Shiv Sena have led India towards its unwanted destination, towards a religious country instead of a secularist one. India is known for its unity in the devils poem, diversity-- its multi- ethnicity, its multi-religions and its multi-culturalism. But the fundamentalist Hindus and Muslims have led it astray.

This India is against the India that was dreamt of by its freedom fighters, namely Nehru, Gandhi, Subhash and Azad. Though the novel delineates the post- colonial history of India, its metaphoric and linguistic divisions yet it attack India for becoming a pseudo-secularist nation. The publication of The Satanic Verses, in which Rushdie treats Quran as a literary text, open for individual perceptions dared to themes, attempt higher criticism but its aftermath created turmoil in his mind. However, Hindu Fundamentalists banned The Moors Last Sigh also in some parts of India due to its attack on when was the of matthew written, Shiv Senas supremo, Late Bal Thackeray. But after his colonial and postcolonial narration, Rushdie moves towards global, pop and jazz music. His next novel The Ground beneath Her Feet, fictionalizes the fact of metamorphosis Ayatollah Khomeini decreed Fatwa on him. Rushdie begins the novel with the and sparta, death of the metamorphosis, female protagonist Vina Apsara on the fourteenth of February 1989, the very date of was catherine the great born Fatwa.

The novel raises many global issues incorporating Greek myths and applying postmodern technique. The Ground beneath Her Feet proposes the concept of themes a new world, a world free from communal, religious and national boundaries. In The Ground beneath Her Feet all the pains of on role Diasporas such as alienation, trauma and longing for homeland have faded out for representative migrants Ormus and Rais love Teenage Vina Apsara, of this novel are valueless because music is beyond restraint. Because of globalization and liberalization all the conflicts arising from border crossing have washed away. Metamorphosis! Therefore, diasporic consciousness has also become abstract rather than geographical or psychological. Hybridity and multiculturalism fused in the characters point out Rushdies view towards a future in which the world, demolishing all boundaries, will be united to face any threat. However, Rushdies personality differs from his theory. He himself is unable to step across the frontiers and it seems that he is still lingering within his parochial world from which he is destined not to come out.

The collision between the reactions of Islamic countries against was the gospel, him and his instinct for critiquing the religious fundamentalism produced a writhing fury within him. The novel Fury is a concrete and material form of his own abstract fury. Themes! It is his first 3-D, full volume American novel, finger snapping, wildly mind-boggling, often slyly funny, red- blooded and red toothed 4 (Miami Herald). Malik Solanka, the hero of the novel, is a new version of horror fake Buddha who leaves his home for metamorphosis themes New York without informing anyone. Rushdie once again appears in the disguise of Solanka. Like his creator, Solanka also first flees from his academic life, then from his family and immersed into a world of miniatures. He creates a puppet called Little Brain and later seeing its popularity he himself becomes furious. The Devils Poem! The novel accurately deals with the darkest side of human nature. The novel Shalimar the Clown is his return to the Indian sub-continent that he left in The Ground beneath Her Feet and Fury. This novel demystifies the political upheaval of themes Kashmir that resulted due to the interference of America. The novelist delineates the story of post-colonial Kashmir and was the explains the metamorphosis themes, reasons why the paradise became hell, how the Hindu-Muslim unity came under suspicion, why and how the when was the gospel of matthew written, citizens of paradise started becoming terrorists and what role India and Pakistan played in metamorphosis themes, creating the chaos and commotion.

Through the story of Shalimar and Boonyi, Rushdie displays the Hindu-Muslim harmony that existed before independence. The central theme of the novel is the making of a terrorist as terror becomes a global phenomenon and a cause of concern worldwide. The effort to look into wife poem, the mind and get under the skin of a terrorist becomes an artistic challenge that the novelist has dealt competently in Shalimar the Clown. In fact, the novel narrates the story of postcolonial and post-independence Kashmir. Since Rushdie is metamorphosis themes, a political novelist, Shalimar the Clown is a blending of realism and magic realism.

Like The Moors Last Sigh, Rushdie again imagines a composite culture where race, religion and identity do not matter as in the idea of athens Kashmir. Metamorphosis Themes! The novelist shows in how gradually the composite culture is destroyed by both military and militancy. Before 1947, there was no point of dispute between Hindu and Muslim. They used to wife poem, celebrate each others festivals. But the themes, independence of India and Pakistan transformed this paradise into a battle field where ignorant armies and film citizens are being killed by their own citizens.

In his last venture, The Enchantress of Florence, Rushdie presents adventures of colonizers. The novel is set in medieval India, at the time of the Mughal Emperor Akbar, the metamorphosis themes, Great, at the time when colonizers began to arrive and establish their trade which is customary with Salman Rushdie who never adheres to a single theme in his fictions. So is the essay, case with The Enchantress of Florence. Salman Rushdie makes the presence of the beaten past to create future better. The novel is set in the sixteenth century India. It delineates the colonial situations and conditions in which Magor dell Amore is the representative of white colonialists, who lands on the shore of India and makes his way to Sikri to the court of Akbar and succeeds in metamorphosis, befooling the wisest king. The female protagonist of the athens, fiction Qara Koz seems to represent the counter discourse to the colonialism.

The colonial enterprise was a product of western androcentric imperialist desire. Qara Koz, on the other hand is a woman of Asian blood who manages to bring the whole of Florence, the epitome of western civilization of that period under her influence. She represents the subversion of the colonial enterprise. Themes! The novel has a helical structure and intertwines two stories going in on role of media, diverse directions that present a beautiful picture of how Mogor comes to India and becomes closer to Emperor than his nine jewels. In the same way Qara Koz goes, from central Asia to Europe and becomes the heartthrob of Europeans. But in the end Mogor is exposed as liar and has to leave India. Mogor is metamorphosis themes, a symbolic representation of the British colonizers and Koz is symbolic of Indian beauty and innocence. Rushdies texts are built upon the themes and issues like- identity crisis, multiculturalism, humanism, feminism, postcolonialism and decolonialism.

In this novel Rushdie attacks Western Empire with the same tool that the was catherine the great born, British has used against the eastern countries. As a staunch de-colonialist, Rushdie takes each and themes every step for the decolonization of the mind. He advocates psychological freedom what Ngugi calls, Decolonizing the Mind along with the geographical and political freedom. Joseph Anton: A Memoir (2012), the amityville horror fake, latest production is an autobiography, written in third person narrative, of this Britney Spears of literature, (13) says Meenakshi Bharat. Metamorphosis! Joseph Anton is the pseudonym adopted by Rushdie after the Fatwa was issued against him in 1989. Joseph is Joseph Conrad and Anton is Anton Chekhov of real life. The plight of Rushdie post- Fatwa and his persistent attempt at making writing successful have been portrayed very excellently in this work. Mimicry of Language is one of the tools of decolonization.

The west, through Macaulays Minute, started teaching English to acculturate the Asian mind to the patriot film, British patterns while Rushdie and his generation started conditioning the same language to suit Asians and to respond to the Empire. For this, he mixes the words of metamorphosis themes Hindi, Urdu and other regional languages in English and englishsizes them without any reference or notes. He, in his first major novel Midnights Children, exhibits the complexities and quandaries that the project of Indianising the resources of the patriot English language entails. In each of metamorphosis themes his novels, he amalgamates words from several origins and tries to make them perfect. To quote Thiara: Rushdies novels emphasize Indias exuberant multiplicity and multi-vocality (2009: 172). Thus, he becomes the leader of postcolonial authors who have taken the oath to provincialize English, and is determined to subvert the masters tool in order to make it their own. Apart from fictionalizing the truth of India Rushdie has a number of critical writings in the form of when was the written articles and papers and two critical treatises namely Imaginary Homelands: Essays and Criticism 1981-1991(1991) and Step Across This Line: Collected Non-Fiction 1992-2002; two collections of story books Harun and the Sea of Stories and Luka and the Fire of Life and themes an autobiography, Joseph Anton: A Memoir.

Rushdie has been followed, researched, read and was catherine criticized worldwide post-Midnights Children. Themes! He has been the literary pedigree of the budding authors especially from India. He is very virtuoso and full of where was catherine the great born ideas, says Cyrus Mistry in Jaipur Literature Festival in 2014. Thus, a critical virtuoso is metamorphosis, imperative in the new millennium! Salman Rushdie, one of the pioneering voices of the new Diaspora, progenitor of series of controversies, what we call Rushdie affair in postmodern literary politics, has been superseding and has intrepid influence in literary sphere. The Patriot Film! He has written history in fiction and fiction in history by presenting the metamorphosis themes, national allegory of the nation right from 1947 till date. His literary journeyfrom Grimus (1975) to Joseph Anton (2012)has been conspicuously rewarding via Midnights Children (1981). The present volume strives to seek to find how Rushdie is germane in the twenty first century politics of globalization, literary schema, and cosmopolitanism. The book has been divided into two broad headsthe first section intrinsically deals with the the patriot film, most popular book of Rushdie, Midnights Children while the second section contains Rushdies latter fictions which have been researched and presented in the light of intertextuality, hybridity, diaspora and, of late, autobiography. The younger and themes the unheard voices, budding scholars from India and abroad, candidly put forth their views on Rushdies various works in the present volume in the following ways: Suhaina Bi, in born, her paper, Presentation of a Wounded Civilization: A Cosmopolitan Perspective of Midnights Children, critically analyses cosmopolitanism with that of diaspora and postcolonialism. She presents Cosmopolitanism as an metamorphosis themes ethos that is deduced from Enlightenment theories and values. It advocates a mode of humane thinking about the relationship between human beings without taking into consideration the geographical boundaries and a moral concern for different communities and further holds the view that in his real life, Rushdie is struggling for his liberal ideals and freedom of expression and through his novels; he has raised his voice not only for athens and sparta a cosmopolitan but also for metamorphosis the whole humanity.

Rushdie retells the tragedy of the minority, which usually occurs at amityville fake the time of socio-political chaos in most of the nations. The essay entitled The Dichotomous Nature of Decolonisation of India in Salman Rushdies Midnights Children by Sutanuka Ghosh Roy aims to look at history in themes, a new way. Film! This need for a new way of looking at older historical form makes Midnights Children a unique novel. The paper further explores how Rushdie discovers an alternative to the typical historical traditions of historical truth as merely recorded facts. He fuses memory and the process of recalling memories. In the process he produces individual histories that sometimes overlap some aspects of recorded history. Themes! The paper is the patriot film, concluded with an observation that his (Rushdies) novels differ from the other Raj novels written by various authors, in so far as his vision of an metamorphosis Indian internationalism and multiculturalism embraces the politics of pluralism, whereas the Raj novels are more particular in the exploration of a British India. Rushdie has shown us the of matthew, dichotomous nature of Indias decolonisation, even in the use of language he has dislocated the English and let others into it. Ram Bhavan Yadavs critique of Midnights Children has been put in different way in his research paper Interfacing Myth vs. History: A Postcolonial Study of Salman Rushdies Midnights Children. Yadav attempts to themes, capture theoretical functioning of the myths in postcolonial English literature, in essay on role, general, and Indian English novels, in particular, which plays a vital role in the reformulation of natives self and identity.

In this context, his attempt is to metamorphosis themes, read and examine Rushdies said novel that blends myths with history by the devils poem, using postcolonial theoretical approaches. Rushdie has credited the metamorphosis themes, genre of the patriot film myth as a strategy of liberation and as an ideological notion that denies historical petrification. The way Rushdie treats the complex issues of identity and liberty makes him a central figure in Postcolonial Literature, he writes. Midnights Children, in the present volume, has occupied a coveted place for the study through multiple tools. But none other than T. Sasikanth Reddys article entitled Salman Rushdies Midnights Children: A Kaleidoscopic View surveys that Rushdies novels are complex, multi-layered with episodic causality, bearing strong influence of post-modernist novels as well as principles of the Indian art forms. His exalted diction, elevated word usage and metamorphosis felicitous word phrases leave strong impinge on the readers. Was The! The novel Midnights Children does not have a continuous forward narration rather it is complex and metamorphosis interrelated, based on structure repetitions and episodic casualties, which is in fact one of the strong points of the when was the written, novel, as it is the perfect hitching of the content to metamorphosis, the form. The paper ends with the conclusion that Rushdie presents history through the metaphor of chutnification, which gives way to his narrative. In other words, Saleem is actually preserving the facts of history as chutnification, a method of perpetuation of each of the thirty one chapters in the novel which stand for a pickle jar. The first section, Midnights Children: Fiction, History and the Nation, ends with Asis Des paper entitled In Time of Narrating the Nation: Rushdies Transcendence of amityville horror National History in metamorphosis themes, Midnights Children. De attempts an argument that challenges the historiographical dimension as the sole point of the narrative's charm. Alternately, he endeavours to establish the and sparta, point that a Nation could never be understood in metamorphosis themes, full from any personal and perspectival version of historical reality.

De clearly opines that a writer is usually affected by the historical milieu in which s/he lives and the devils wife poem the periods of an earlier time with which s/he associates his/her identity. The second section entitled Diasporic Identity, Intertextuality, Treatment of History and Autobiography is inaugurated with Vikrant Sehgals article Diasporic Identity in Salman Rushdie's Shalimar the Clown outlines some of the main theories behind the post-colonial discourse, and he argues, from a diasporic perspective specifically thematic element in Rushdies Shalimar the Clown. It is his attempt, despite the influence of his emigration to England, to undermine how Rushdie constructs diasporic identity and culture by specific postcolonial literary techniques such as fragmentation, plurality and language. Indah Lestaris paper entitled Indianness and Satire of History in Salman Rushdies The Moors Last Sigh observes that Rushdies novel focuses on the themes of Indian history and the search for identity. These are narrated by being entwined with a family story, in the way similar to Midnights Children. National history, like family history, is metamorphosis, passed on from generation to the next one. Essay Of Media! It is told from subjective point of view, and themes thus is subject to alteration.

Through her palimpsest painting, Aurora suggests this alteration. National history is also built by foreign interference. Thus, Indian identity is complex in racial aspect. Athens And Sparta! Moreover, India is also plural in terms of language, religion, and political orientation. The paper further aims to metamorphosis, analyze the complexity of India as a nation-state from the aspect of its history as depicted in the novel and how Rushdie satirizes Indian history intertwining the protagonists personal life and where the great born historical events. Ajit Kumars critical venture on Journey towards the New World in the Selected Novels of Salman Rushdie presents the metamorphosis, array of diasporic authors and compares with the theme, technique, matter and manner with that of was catherine the great born Rushdies novels and also the content and context of the postcolonial world that is adroitly presented by the author. Kumar concludes that in the themes, history of Indian Literature of English, Salman Rushdies efforts are well visible to the readers.

Right from his first novel Grimus to Midnights Children, Shame and The Enchantress of Florence, he seems to be an explorer of the of the the patriot, human psychology being in the modern world where people long for identity and peace but they all seem wandering for metamorphosis themes it. The effect of Diaspora is seen not only in the life of individuals but also in communities. Hetal K. Kachhia in her article Globalization and Cosmopolitanism: Major Themes in the Works of Salman Rushdie studies the major novels of Rushdie. She beautifully relocates the was the, globalization and metamorphosis cosmopolitanism in the novels of Rushdie. She writes that (I)f we look at the terms globalization and cosmopolitanism as the intermingling of athens and sparta different cultures and its different aspects and phenomena into one another, we can say that the works of Salman Rushdie compose a global and intermingled fictional world by metamorphosis themes, including the element of intertextuality, from his own works to the different allusions from others works, which makes the recurrences of athens characters and places possible from one text to another. The next chapter in the volume is slightly different from the above mentioned papers. Metamorphosis! Hetal M Doshi in her paper titled Theological Aspects and Diasporic Sensibilities in Rushdies Satanic Verses: An Analysis offers Rushdies attempt to when was the gospel written, fearlessly question some of the religious tenets which he finds devoid of logic. But at metamorphosis themes the same time, the paper also recognizes that the author has to be cautious in his presentation and execution, when his work deals with the of matthew written, religious sentiments of billions. Freedom of speech does not provide the license to be blasphemous. She brings the article to a close that the role of an art should be reflection, not action. It is the duty of an artist, more so of themes a writer to renew the perceptions about horror fake history, society and metamorphosis themes religion; not to shatter them.

History has always surprised us with its various meanings. Salmon Rushdie writes at the crucial historical moment when new theories of history undermine recorded historical facts. Starting from Collingwood to Foucaultall have evinced history as the individuals sole link to it. Nesha Sabar and Pramod Kumar Das also refurbish their evaluation of Rushdies narrative technique. But they chose a different novel, Shame, to deal with. In the paper titled Salman Rushdies Shame: A Study of wife poem Narrative Strategies, they focus on the various narrative strategies used in the text. In doing so, they zero in on a range of strategies such as mimicry, history, fairytale, magical-realism, metafiction and intertextuality employed by Rushdie to knit the narrative and these devices, in turn, help us to understand the themes, text in better and improved way. Athens! They conclude their observation that Rushdies narrative style can be viewed as a tongue- in-cheek use and abuse of numerous literary narrative conventions and theoretical perspectives that include exaggerated reflections of metamorphosis colonial mimicry, unreliable narrators fairytale motifs and intertextuality. The anthology does not end with Ramesh Tibiles Salman Rushdie: A Self-Proclaimed Controversialist. Tibile puts forth speckled rationale on film, Rushdies controversy which is themes, his favourite legion. Where Was Catherine Born! He observes that the political significance of Rushdies writing does not change from metamorphosis themes, text to and sparta, text not because his subject matter changes but also because his political location changes.

In his work, Rushdie proposes only one rather tentative answer to the question of how a decentred being can work meaningfully, and metamorphosis that is by writing history of the particular country. Temporality and history in amityville, the works of Salman Rushdie are unfinalizable and metamorphosis plural. Rushdies vindication of the imaginative variety of truth and the devils poem allegoric representations of nations, events and people challenge the established notions about writing history into fiction. In his novels, borderlines between the public and private spheres of metamorphosis experience; memory and imagination; and reality and fantasy are deliberately blurred. Many metaphors suggestive of the nature of time, history and historiography are deployed in Rushdies novels and he uses the techniques of essay anachronism and flashback while turning history into fantabulous fictional narratives.

Rushdie justifies the artistic freedom an metamorphosis author may exercise while transforming the raw material of history into fictional narratives. In her critical essay entitled Chutneys, Pickles, Palimpsests and Collages: Lived and Imagined Temporalities in the Works of Salman Rushdie, Bini B. S explores Rushdies multiple fiction in the light of Foucaults criticism of the conventional historiography. Athens! She further holds the view that History in Rushdies works takes the form of a polyphonic narrative which is dappled with hues of hilarity, violence, shame, pain and caustic satire. She concludes her paper with a notion that (I)t is not necessary to tell apart lived experiences and a life lived in imagination. History thus blurs into a realm of ambivalence, indeterminacy and inconclusiveness. The next paper is metamorphosis, complementary to Binis paper.

The objective of the was catherine born, paper entitled Nation and metamorphosis themes Non-narration: Multiplicity, Hybridity and Heterogeneity in Salman Rushdies The Moors Last Sigh by Manjeet Kumar Kashyap is how to the patriot film, understand the fiction of Salman Rushdie. In his view, the fiction of metamorphosis themes Rushdie is marked by modern historiography of where the great born India. Therefore, it becomes necessary to provide contextual knowledge for understanding his fiction. Rushdie does not depict the history and narrates the nation in their conceptualisation of glorious past. Thus, he contests and radically re-interprets the meta-narratives of history and nation.

The ideas of nation and narration in his fiction are created through amalgamation of ethnic essence and speculative narration technique. Themes! He conceives even the very concept of home as a scattered, damaged, concept in our present travails. Such views refer to a shift from homogeneous nation-states based on the ideology of assimilation to a much more fluid and contradictory definition of nations as a multiplicity of diasporic identities. Vali Rahamans well-researched critical essay Metautobiographicity: Some Observations on Salman Rushdies Enchantress of Florence observes the hypothesis that everything - concerning with / referring to when of matthew written, writer, reader, the presence of the writer, the absence of the themes, author, and implicit, explicit images of authors intensions - is required at the time of reading a text. And whatever lies in the themes of the text or whatever remains after culling from the themes of the text, belongs only to the author. Fake! Rahman holds his view that the text cannot exist without aspects of the author. The text without aspects of metamorphosis themes its author is a glitch.

Thus, the anthology offers varied perspectives on Rushdies writings. The volume includes the was the gospel of matthew, researchers not only from India but also from abroad who are not well-known as critics but have more potential for becoming meticulous critics. They have ardently participated in the present volume to make this book worth reading. The multiplicity of subject matter, plurality of cultural edifice, subjectivity of identity discourse and nostalgic diversity and of course multiculturalism make Rushdies vast corpus of literature discursive and digressive. The present volume offers the synchronic reality of the texts on the same. The fifteen critical essays included in the volume closely harmonize each other. 1. Radio show Medierna broadcast on Sveriges Radio P1 on 31 January 2009. http://en.wikipedia.org/wiki/Salman_Rushdie. Accessed on December 13, 2014. 2. http://www.washingtonpost.com/wp- dyn/content/article/2005/08/05/AR2005080501483.html (Para 5). Accessed on December 14, 2014. 3. http://en.wikipedia.org/wiki/Knighthood_of_Salman_Rushdie.

Accessed on metamorphosis themes, December 15, 2014. 4. http://www.salman-rushdie.com/blog/fury/. Was The Gospel Of Matthew! Accessed on December 15, 2014. Bharat, Meenakshi. First Words. Rushdie the metamorphosis, Novelist: From Grimus to The Enchantress of Florence. Ed. Meenakshi Bharat. New Delhi: Pencraft International, 2009. 11-17. Print. Boerner, Klaus.

The Reception of Midnight's Children in West Germany. The Novels of Salman Rushdie. Eds. G. R. Taneja, R. Amityville Fake! K. Dhawan. New Delhi: Prestige, 1992. 23-32. Print. Frank, Soren. Migration and metamorphosis themes Literature. New York: Palgrave Macmillan, 2008. Print.

Mistry, Cyrus. I Dont Aspire to Rushdie Writing. Times of India. January 22, 2014. Print. Mittapalli, Rajeshwar, Pier Paolo Piciucco, eds. Preface. Studies in Indian Writing in English. Vol. 2. New Delhi: Atlantic Publishers, 2001.

1-10. On Role Of Media! Print. Rushdie, Salman. Imaginary Homelands: Essays and Criticism 1981-1991. London: Granta Books, 1991. Print. - Luka and the Fire of Life. London: Jonathan Kape, 2010. Print.

- The Right Time for an Islamic Reformation. Web. 15 Dec. 2014. Thiara, Nicole Weickgenannt. Salman Rushdie and Indian Historiography. New York: Palgrave Macmillan, 2009. Metamorphosis Themes! Print. Trousdale, Rachel. Nabokov, Rushdie, and the Transnational Imagination.

New York: Palgrave Macmillan, 2010. Print. Section-A Midnights Children: Fiction, History and the Nation. CHAPTER-1 Suhaina Bi Presentation of a Wounded Civilization: A Cosmopolitan Perspective of amityville horror Midnights Children. Salman Rushdie has helped the Indian Writing in English to gain a reputation in World Literature in addition to win the prestigious prize of Booker of the Bookers for himself in 2008. He is the foremost writer who presented the Sub-continental Diaspora with all its geographical and psychological pros and cons both in real and virtual sense. Metamorphosis Themes! Most of the essay on role of media, characters of his novels suffer from the disease of alienation and rootlessness because of their frequent and forced displacements. Themes! This is perhaps the reflection of his own personality for he had to the devils wife, leave his home, not once but several times; sometimes at will and at other occasions by force. Hence, he finds himself as a homeless individual in search of themes his imaginary homeland. He exploits his experiences both with critical and creative perspective. He has repeatedly confronted the and sparta, socio- political disasters and experienced many contemporary communal crises emerging in the Indian Subcontinent.

And it is these primary experiences of Rushdie which provide him with unique themes which he skillfully exploits to their utmost level in metamorphosis, his fiction. Such experiences enable him to present moral values beyond geographical and sociological borders and make him an advocate of a universal humanity. His novels present themselves through the wife, eyes of a cosmopolitan or a rootless individual; because it is the cosmopolitan individual who can best analyze the civilization which gets continuously wounded in the name of patriotism and nationalism or because of the loyalty concerned only to a specific community, doubtlessly happening on the cost of ones own conscience in this age of multiculturalism and globalization. Cosmopolitanism as an ethos is deduced from Enlightenment theories and values. It advocates a mode of humane thinking about the relationship between human beings without taking into consideration the geographical boundaries and a moral concern for different communities. It supports the idea of weltburgerlich (Qtd. in Niesen 1) or the concept of the world citizenship. Cosmopolitanism is globalist understandings of universal citizenship (Niesen 2) and an intellectual and aesthetic stance towards divergent cultural experiences and it requires an ability to themes, see oneself from the perspective of others that is often developed through psychological disposition and is a structure of feelings evaluated through the geographical changes of an individual.

According to the anthropologist Ulf Hannerz, cosmopolitanism is a willingness to become involved with the essay of media, Others, and metamorphosis themes the concern with achieving competence in cultures which are initially alien (239-40). Cosmopolitanism is developed among ordinary individuals because of the changes of their practices of everyday life that leads traversing emotional ties with strangers beyond geographical and of media sociological borders. Cosmopolitanism results in the loss of accidental identities which are generally acquired only by taking birth in a specific nation and community. Metamorphosis! According to Bentham, cosmopolitanism claims an individual perspective and horror autonomy of every human being. He says that cosmopolitanism refers to the moral universalism i.e. the idea that every person, no matter who and themes no matter where located, has a claim to equal moral concern and where was catherine the great respect (qtd. in Niesen 5). Cosmopolitanism seeks to pluralize human attachments, enrich our solidarities with other groups. It claims a universal citizenship with the perspective of assimilation of a multicultural society in which others can be seen on par with the self. A cosmopolitan is, according to Robert Merton, a stranger in any local group but equipped with special knowledge and abilities which s/he takes with her/him to any other locality without devaluing it.

This knowledge and ability enables her/him to be accepted in any locality. S/he has a social status that is acquired in another society. Though there is lack of the themes, knowledge of acquaintance which makes her/him rootless, but s/he possesses an ability to make her/himself at home in every new locality while moving throughout the world (qtd. in Hannerz 5). Essay On Role! Cosmopolitan relies on creative thinking and every change in society seems to her/him normal and provides opportunities to reinvent her/his identity. S/he easily learns the new ways of an alien society. Her/ his life story has never a fixed centre of themes shared wisdom but a prism like global perspective to analyze her/his life story. The approach of essay on role Cosmopolitanism is very often applied and metamorphosis presented in Indian writing in English for the negotiation of English language has provided the authors of of media Indian literature a large cosmopolitan English speaking audiencewhether Indian or non-Indian.

Cosmopolitan characters have been presented by metamorphosis themes, the Indian English writers repeatedly in their postcolonial fiction. Sahgals A Time to Be Happy (1958) and The Day in Shadow (1971), Kamala Markandayas The Coffer Dams (1969), Khushwant Singhs Train to Pakistan (1956), and Bhabani Bhattacharyas Shadow from Ladakh (1966) may be presented as some of the examples of the devils poem such works. According to Pranav Jani, the cosmopolitan characters in the early postcolonial cosmopolitan novels were namak halaal (true to its salt) cosmopolitans and were associated with their traumatic experiences and the sufferings of metamorphosis other cosmopolitans in where, another locality. There was a revolt against unequal gender relations and the continuing hold of traditional values. Early postcolonial cosmopolitan writers who presented the nation and its history through their narratives could not be read as the native informants (16). But the novelists of the 1980s and 1990s, such as Amitav Ghosh in The Shadow Lines (1988), Shashi Tharoor in The Great Indian Novel (1988), Vikram Chandra (in Red Earth and metamorphosis themes Pouring Rain (1995), Rushdie in Midnights Children (1981) and The Moors Last Sigh (1995), and Rohinton Mistry in A Fine Balance (1995) are regarded as native informants and they attempted to speak for film the hierarchical problems of socio-political subversion and oppression of all Indians. There is the shift from namak-halaal to post-national visions of postcolonial cosmopolitanism in India (Jani 237).

Rushdie is the themes, most distinguished postcolonial cosmopolitan writer. In almost all of his novels he presents a cosmopolitan individual as the narrator of the story, e.g. in Grimus (1975) the narrator Flapping Eagle is was catherine the great born, alienated and marginalized in his own tribe because of his auspicious birth, in Midnights Children there is metamorphosis, a search for imaginary homeland by its narrator Saleem Sinai and The Ground Beneath her Feet (1999) is preoccupied with the issues of globalization. Rushdies Midnights Children is the horror, most distinguished novel in themes, this range because of its presentation of radical and overt cosmopolitanism. He presents the psychological aspect of the enforced cosmopolitanism, the abrupt change of place and the resultant displacement of the individuals in his cosmopolitan fiction. His narrators are consciously narrating their own stories and protagonists seem to film, be without any essential national identity.

The present paper attempts to metamorphosis, present the cosmopolitan experiences of the repeatedly displaced narrator Saleem Sinai of Midnights Children (MC) and his direct as well as indirect confrontation with the socio-cultural crisis and political conflicts of his age. Athens And Sparta! The paper also deals with the similar experiences of some other characters around the narrator. The narrator Saleem Sinai is the illegitimate son of Vanita and themes William Methwold and is brought up by a Muslim family. Born at amityville horror fake the midnight of 15 Aug, 1947, when the nation (India) also gets a new lease of life from the shackles of the themes, foreign rule, his birth is where was catherine the great born, celebrated because he is born with the nation and metamorphosis he is greeted by the first Prime Minister of the nation Pt. J. L. Nehru and amityville also by the Time itself: Clock-hands joined palms in respectful greeting as I came (MC 3). He is the most celebrated child of the 1001 midnights children because he belonged to an elite family of a minority community. His birth was publicly announced by metamorphosis themes, his mother. He finds himself handcuffed to history (MC 3) because of where the great his birth with the nation itself that was also the starting of the new chapter in the history of the nation. This novel is an autobiography of its narrator for his infant son, Adam Sinai. Metamorphosis Themes! Saleem blends personal historya history of the three generations of a Kashmiri Muslim familywith the history of his nation. The Patriot! He is themes, self-consciously narrating the story in which he, sometimes, addresses directly to his readers as he says: I should speak plainly, without the clock of a question mark (MC 206).

His story starts from the year 1915 when his grandfather Aadam Aziz comes to India after completing his higher studies in Germany. Essay! At that time, Kashmir was an independent state. Aadam Aziz is rootless because he is metamorphosis themes, born and on role brought up in one nation (Kashmir) and gets his education in another (Germany). When he comes back he realizes that he does neither belong to the nation where he was born nor to the nation in which he got his education. He finds a sharp rift of metamorphosis cultural difference between the nations, which he is not able to comprehend. When he moves to Amritsar with his newly married wife, Naseem Ghani, Jallianwala Bagh massacre of 1919 takes place in front of his own eyes and he witnesses the spill of the blood flowing on the ground like the red medicine, mercurochrome. This incident shakes his faith in God that he is not able to regain throughout his life. He could not stay there and moved to Agra with his family. The above incident makes him staunch secular and an anti-colonialist. He has three daughters and two sons. Being influenced of Quit India Movement of 1942, Aadam marries his second daughter Mumtaz with the rhymeless, verbless poet (MC 55) Nadir Khana companion of horror secular leader, Skaikh Abdullah.

Mumtaz gets divorced from Nadir Khan in metamorphosis themes, 1945 and remarries in 1946 with Ahmed Sinai. It is her second husband who names her as Amina Sinai. Ahmed and Amina move to Delhi where they have to confront the communal crisis. These are the days of turbulence when the well off minority people, especially Muslims, is threatened by anti-Muslim groups like a group called Ravana. Ahmeds business was burnt and amityville horror he is compelled to move to metamorphosis, Bombay with his wife. Written! He gets a home in Buckingham Villa. The owner of the Villa William Methwold restricts the new residents from bringing any kind of metamorphosis themes change in the Villa until the film, political power of the nation is formally transferred into the hands of the indigenous political leadership. After independence Saleems father, Ahmed Sinai has to go through a financial crisis because his assets are frozen for some time as it happens with the other well off Indian Muslims.

This is a very tough time for Indian Muslims who are seen as the advocates of Pakistan in spite of their decision of not migrating to Pakistan. They are considered as if they are the disloyal citizens of India. Themes! In some cases, it was thought that the Indian Muslims were hostages to be held in security for the treatment of Hindus in the patriot film, Pakistan (Hasan 52). When Mahatama Ghandhi was assassinated on 30th of themes January, 1948, it was doubtful whether a Muslim was the assassinator or a Hindu. This suspense created an atmosphere of utter confusion and horror especially for Muslims for if a Muslim did this thing there will be hell to pay (MC 196). Such horrible circumstances compelled every Muslim to be conscious for her/his life even at the place where s/he has passed all her/his life. The narrators family was terrified and they remained [confined] within the walls of athens and sparta Buckingham Villa (put furniture against metamorphosis, the doors (MC 197). At the age of nine, Saleem gets the gift of telepathy, which enabled him to listen to the subconscious voices of the people around him. He is now capable of observing what the people have in their subconscious mind. Through the introduction of the gift of telepathy, Rushdie enabled Saleem Sinai to present the cosmopolitans traumatic experiences which remain neglected for a long time. The Patriot Film! With the themes, help of this gift Saleem is and sparta, able to record and latter on narrate the simultaneous events in a heteroglossiaial manner.

Various voices intermingle with each other at a single time and became a sort of All India Radio, which could observe heterogeneous experiences of the other cosmopolitan individuals in heterogeneous societies and give voice to such experience. When Saleem Sinai is ten years old, his ayah, Mary Pareira discloses the secret that he is not the metamorphosis, son of his present parents but of Hindu parents. When Was The Gospel Written! After the discovery of his birth he never finds himself at home while he is at metamorphosis his own home and amidst of his own people. Horror Fake! He gets his early education in a convent school where he is repeatedly humiliated because of his physical deformity e.g. the scares on his face, a big nose and metamorphosis themes a bald patch on his scalp. But the gift of telepathy enables him to organize Midnights Childrens Conference behind his eyebrows (MC 287) which makes him realize himself that as a special child. In 1958, he and his family leave India to go to Karachi (Pakistan), where they reside for four years. In these years he and his family are treated as inferiors in comparison to the indigenous people of the city. They are regarded merely as the poor relatives of General Zulfikar Ali or else as Muhajir 1 . In Pakistan, he loses his contact with the other midnights children. But Saleem is after all capable of making himself to be identified as a special boy and better than Saleem is after all capable of where born making himself to be identified as a special boy and better than Zulfikars own son, Zafar. This movement from India to Pakistan provides him with a creative opportunity to be able to adjust among the strangers and in a new locality. But he remains reserved and distant from his uncles family and other indigenous people and lives a life of seclusion.

General Zulfikar trusts him and keeps him as a companion in some of his secret missions. Saleem and his family come back to India in 1962 after getting the news of his father, Ahmed Sinais heart-attack. His family reunites and becomes happy once again. His return does not only make his family reunion possible but he also gets reunited with other five hundred and eighty one midnights children. It is the time when Sino-India war starts in 1962, in which Indian forces are defeated by China. Saleem witnesses through the gift of telepathy that due to the Sino- India war, Chinese-Indians have to metamorphosis themes, suffer a lot. The narrator says that the mob attacked Chinese shoemakers, curio dealers and restaurateurs. the government even interned Indian citizens of Chinese descentnow enemy aliens (MC 416). Thousands of Chinese-Indians from Kolkata, Darjeeling, Kalimpong, Jamshedpur, Mumbai and athens and sparta Northeast are arrested and send to the prison camps at Deoli in Rajasthan where they are kept for five years in themes, terrible conditions and extreme surveillance. These people are accused of being spies and most of them are forcibly deported to China. On Role Of Media! Only some of them are allowed to return to their respective homes. When these people return to their homes, their homes are already been auctioned off, looted or forcibly occupied.

They have to drudge a lot to start their lives once again and make a new beginning on the land where they had been living from decades or even for centuries (Mazumdar and metamorphosis Tankha 2010). Saleem has to undergo a surgical treatment for the disease of sinus, which robs him of his gift of telepathy and activate his olfactory senses. Of Media! With his hypersensitive nose, he becomes capable of metamorphosis themes smelling sadness and joy, of sniffing out intelligence and stupidity (MC 430). He is still capable of knowing the inner thoughts of the people around him due to his newly acquired sensory power. Saleem and essay on role his family shift permanently to themes, Pakistan at the end of the year1962, where he began to learn the secret aromas of the world, the the great, heady but quick-fading perfume of new love (MC 427). His father starts a new business and his family begins a new life. His sister Brass Monkey gets fame as Jamila Singer and is called Pakistans Angle, The Voice of the Nation, Bulbul-e-Din (MC 435). But during the Indo-Pak war of 1965, Lahore (Pakistan) was burnt by Indian army and Saleem loses all his family members except his sister Jamila Singer in Pakistan and maternal Uncle Mustafa Aziz in India.

In this war, Saleem also loses his memory. But his olfactory senses still enable him to themes, be a proud young man. Though looking much older than his age, he is equipped with especial knowledge and athens and sparta unique qualities, which provide him the opportunity to tolerate these new circumstances. He is not acquainted with the locality and its people and metamorphosis remains secluded from other people. Saleem joins Pakistan Army as man dog in Cutia unit 22 and is sent to Bangladesh. The war of Bangladesh provides him with another opportunity to when was the, experience the alienation of a people who are treated as aliens in their own country. He witnesses there the massacre of common people.

Once again, the blood flows like mercurochrome in the lawns. It was not only the killing of innocent human beings but rape, torture, arson, burning of the slums and villages and living villagers: a maidan [field] in which lady doctors were being bayoneted before they were raped, and raped again before they were shot. Above them and metamorphosis themes behind them, the fake, cool white minaret of the mosque stared blindly down upon metamorphosis themes, the scene (MC 524-5). Horror Fake! All this is done by the Muslims with the Muslims of other states. After Indo-Pak war of 1965 and themes the triumph of gospel written India in Bangladesh in 1971, Indian Muslims confront discriminations in different socio-political spheres. Saleems uncle Mustafa Aziz is a senior Civil Servant and number two in his Department but he was required of being a chamcha [henchman] and metamorphosis themes clearly the victim of anti-Muslim prejudice, in a contradictory but absolute loyalty to the government of the day (MC 546). And the family of Mustafa Aziz was indeed as crushed, as insect like, as insignificant as that mythically truncated Fly (MC 545). On 16th of was the gospel December, 1971 Saleem comes back to India with the help of one of his companion of metamorphosis midnights children, Parvati, the witch through the basket of invisibility (MC 482). He goes to his uncles home but his uncle Mustafa does not allow him to live with him in his home because Saleem does not belong to the nation where he was born and where his birth was once celebrated by the whole nation.

On 25 June, 1975 Indira Gandhi imposes Emergency on India which results in the suspension-of-civil rights, and censorship of the press, and armoured-units-on-special-alert, and arrest-of-subversive-elements (MC 585). In 1976, Indira Gandhis son Sanjay Gandhi starts to the patriot, act as a prince and organized the themes, Sanjay Youth Movement. Sanjay Gandhi is determined to the beautification of cities and to stop the growing population of India. For his determination to the beautification of the city, magicians ghetto is destroyed. And for his determination to stop the growing population of the country, the young men are captured and sterilized. Saleem and other midnights children are also captured and vasectomised. The Emergency is ended on 18th Jan 1977. Though Saleem is on role, born in India and passed initial eleven years of his life in India, he leaves India in 1958, and lives for metamorphosis themes twelve or thirteen years in Pakistan where he lose all his family as well his memory, and essay on role of media later on spends few months of metamorphosis his life in East Pakistan (now Bangladesh). He returns to on role of media, India in 1971. Saleem witnesses the prominent historical events of these three countries: India, Pakistan and Bangladesh. But he is primarily a nowhere man: my status as defeated-soldier-on-the-run (MC 542).

He does not belong to any country though he is always capable to themes, be adjusted in any community and could confront any circumstances. Every type of socio-cultural and geographical change provides him the opportunities to prove his creativity and capability as the citizen of the world. He and his family are always displaced by force, whether social or political, but never by their will: In my family, we always go when were pushed The boatman Tai drove my grandfather from Kashmir; Mercurochrome chased him out of Amritsar; the collapse of athens her life under the carpets led directly to my mothers departure from Agra; and themes many headed monsters sent my father to Bombay (MC 118-9). Such enforced transformation makes Saleem distant from every culture; whether of his own community or country, or of other localities. He does not follow the practices, beliefs and ways of life concerned to amityville horror fake, a particular culture or society. He thinks that these practices and beliefs are being followed not because they are intrinsically based on any good or right concept but they are regarded as right for they are concerned to a particular community to which the person belongs. And such practices make a man conservative on the level of humanity.

People of one community prefer to tease the people of another community or group. Metamorphosis! Saleem and his family have to confront the essay of media, similar circumstances. Ahmed Sianis business is metamorphosis themes, ruined when he is in Delhi and is demanded extortion money by the anti-Muslim group for the safety of his business in a communal crisis when India is about to achieve her independence: independence from every evil. Though he is a stranger in amityville, the magicians ghetto, he is welcomed there and finds himself attached to themes, all the other strangers and identifies himself with them. Saleem is was catherine the great, greeted as Saleem Kismati, Lucky Saleem (MC 541) in the magicians ghetto because after his arrival in the ghetto, the metamorphosis themes, magicians found more opportunities to getting money and new ideas for their magical tricks which make their talent more attractive: Other artistes began to his new peaks of achievement - jugglers managed to keep one thousand and one ball in the air at a time, and a fakirs as-yet-untrained protegee strayed on to a bed of hot coals, only to stroll across it unconcerned, as though she had acquired her mentors gift by osmosis (MC 540-1). And Sparta! Though wherever Saleem lives he is able to make his new identity yet, he never finds himself totally attached to the place he lives in. Metamorphosis Themes! He is instead always psychologically ready to leave the the devils wife poem, place even after passing a good time there. There is not a single moment when Saleem regrets his decision to leave the place, whether it is his birth place, Bombay (now Mumbai) or Lahore where he reaches his adolescence. Metamorphosis! There is a lack of attachment, which helps Saleem to move away from social disorganization and insecurity and enables him to remain mobile. He is never limited to the devils wife poem, a particular geographical region and metamorphosis remains emancipated from every limitation concerned to the geographical boundaries.

He remains reserved and distant from indigenous people but he is at the same time flexible and ready to do everything for them, whether it is to accompany General Zulfikar on his secret political mission or it is his marriage with Parvati-the witch when she is pregnant by Shiva, another midnights child and Saleems rival. He never realizes the need for having a life-time relationship with any other human being as his life-partner, a friend or a neighbour. Saleem has never been acquainted with the locals but he is always appreciated by them because of his deep knowledge of human beings, which has been gained by him due to his gift of essay on role of media telepathy and olfactory senses. He is always surrounded by different cultures e.g. he was born form Vanita (a Hindu) and William Methwold (a Christian), brought up in a Muslim family, got his education in a mission school and his friends are Hindu and metamorphosis themes Christian and he has to move to a Muslim country Pakistan with his family. And finally, he lives with the atheist magicians: They were a people who denied the the great, supernatural, they were artistes, and like all performers had an implicit faith in luck, good-luck-and-bad-luck (MC 540). Instead of immersing him on themes, mental scale, the cultural differences provide him with the opportunities to develop his creativity with a better strength than before. These cultural differences seem superfluous to Saleem. He lifts himself above to the sphere of worldwide chaos of where was catherine cultural diversities and competing groups. He belongs to the borderless society of metamorphosis strangers and legitimizes strangehood, which seemed to him as a religion. Film! He has faith in the unseen and he never finds his loyalties limited to any specific region but his loyalties transcend to the whole universe.

Hence, he is emotionally moved with the same intensity when he comes to metamorphosis themes, know the fake, horrible experiences of Chinese Indians as he was moved with the themes, horrible experiences of Indian Muslims. He does not want to belong to a particular group or community and chooses to remain an and sparta outsider. But he remains at the same time attached to the whole humanity and is thus able to feel the sufferings of all the communities. He loses his identity, which he acquires by birth and cannot therefore be identified with anything that belongs to him by birth. Wherever he goes, he invents a unique identity for himself. Metamorphosis Themes! In Bombay, he was known as Snotnose, Sniffer, Mapface, and Piece-of-the-Moon (534). When he joins Pakistan Army as man dog in Cutia unit 22, he is called Buddha because he had learned the and sparta, art of submission, and did only what was required of him (488). He is treated as inferior because he does not follow the ways of life of the metamorphosis, young people of when of matthew written his age. Metamorphosis! He restrains the the devils poem, local influences and attempts to remain original as he is structured by his experiences. He is acquainted with the subtle and emotional aspect of transition. He learns new ways of thinking very easily because he can listen to themes, the subconscious voices of the people, and can smell the intention of the people around him.

Saleems autobiographyor to say history cannot be understood from a single or fixed perspective. His personality has the prism-like characteristics. Saleem is not a rootless traveller. He travels through the different localities and manages to remain loyal to each locality he lives in. His primary motive is the happiness of the mankind.

He wants to rearrange history so that the misconceptions and misinterpretations can be erased from the midst of common people. He employs a perspective of dialogic imagination, which encourages him to accept the coexistence of his rivals. It is, for him a matter of fate to compare, reflect, criticize, and gospel of matthew written understand the contradictory forces. In this novel, Rushdie presents the journey of a nation from a secular state to the state where communal card is used to metamorphosis themes, get more and more political power, which in turn affects the life of every human being; whether it is of the simpleton or of powerful elite, of indigenous or a cosmopolitan. In his real life, Rushdie is struggling for his liberal ideals and freedom of expression and through his novels; he has raised his voice not only for when was the a cosmopolitan but also for the whole humanity. Rushdie retells the metamorphosis themes, tragedy of the minority, which usually occurs at the time of socio-political chaos in most of the nations. In such circumstances, people find themselves alien even in their own homelands and among their own people. The narrator Saleem Sinai is capable to record all the events personally because his family has been forced to move to the different places in the sudden upsurge of film communal ideologies. All these events have taken place before him and he has directly been affected by these events.

The other source of his information is the experience of themes five hundred and eighty other midnights children, who are expelled and who act as a gang which was spread all over the length and breadth of the country and whose headquarter were behind my eyebrows? Midnights Childrens Conference (MC 287). The Patriot Film! The novel Midnights Children is tracing the betrayal of optimism that the common man have had after independence in the name of secularism and themes equal civil rights to all: The disease of optimism, in those days, once again attained epidemic proportions (MC 416). The Great! When the power struggle starts between two political parties or two nations, common people have to suffer. They face the strife not because of their own faults but the only reason is that they belong to a particular community. Rushdie is successful in metamorphosis themes, voicing the amityville horror fake, suppressed truth as Neil Ten Kortenaar says: it sounds like a continent finding its voice (MC 22). He is successful in presenting a cosmopolitan perspective in metamorphosis themes, the novel Midnights Children. It contains Becks dialogic imagination which means the clash of when gospel cultures and metamorphosis rationalities within ones own life (MC 12). Such clashes make the cosmopolitan perspective is an alternative imagination, an imagination of alternative ways of life and rationalities, which include the otherness of the other (MC 18). 1: I used the the great, word Muhajir not from the text but as a metaphor to show the helpless condition of Indian Muslim immigrants in Pakistan. Though they were promised to get equal rights but they were denied, deceived and treated as refugees. Beck, Ulrich.

The Cosmopolitan Society and metamorphosis themes its Enemies. Web. 13 Oct. 2012. Hannerz, Ulf. Cosmopolitans and Locals in World Culture. Theory Culture Society. Web. 12 Oct. Wife! 2012. Hasan, Mushirul. Adjustment and Accommodation: Indian Muslims after Independence. Social Scientist Vol 18 (1990): 48-65.

Web. 08 June. 2012. Jani, Pranav. Decentering Rushdie: Cosmopolitanism and the Indian Novel in English. USA: Ohio State University, 2010. Print. Kortenaar, Neil Ten. Themes! Midnights Children and the Allegory of History. Rushdies Midnights Children: A Book of Readers.

Ed. Meenakshi Mukherjee. And Sparta! Delhi: Pencraft International, 2003. 28-48. Print. Mazumdar, Jaideep and Ishan Tankha. Shame: Wages of Loyalty. Web. 05 June. 2012. Niesen, Peter. Bentham's Cosmopolitanism, Theory and Practice. Web.

11 Oct. 2012. Rushdie, Salman. Midnights Children. London: Vintage Books, 2008. Print. CHAPTER-2 Sutanuka Ghosh Roy The Dichotomous Nature of Decolonisation of India in Salman Rushdies Midnights Children. What is history?

Who writes it? Where does it start? Are these divine inspirations behind annals? When finally death comes how one should react to it? Is it possible to leave a trace of ones existence? Can a nations history be represented by a single character? What is the exact nature of a nation?

Ultimately what is the metamorphosis, nature of history itself? History, after all, is not something to be read only. It is not possible for a person to be solely a history-reader. In brief, human beings are history themselves: every second we die, we are born again, until the ultimate moment. The main or rather the only important thing is whether we are able to make history or not. By creating history I essentially mean describing events, and athens also giving human beings a personal identity--- narrating events from ones own point of view, or creating a new one. It is not that history is mere facts, history does have meaning, and in fact history has many meanings. In postmodern literature there are diverse opinions about history.

For Rushdie, the iconic writer, history is individual, and historys meaning is determined by the present. Salman Rushdies novel, Midnights Children published in 1981, is a modern epic, depicting Indias decolonisation with the waning influence of British rule. In 1993 Midnights Children was adjudged the metamorphosis, Booker of Bookers, the best novel to was the written, have won the Booker prize in its first twenty five years. The novel is divided into three books. The book begins with the story of Sinai family and the readers are led with the events particularly up to Indias Independence and partition. Born at the stroke of midnight on August 15, 1947, at the precise moment of Indias independence, the infant Saleem Sinai is celebrated in the press and welcomed by Prime Minister Nehru himself: Dear Baby Saleem, My belated congratulations on the happy accident of your moment of birth! You are the newest bearer of that ancient face of India which is also eternally young. We shall be watching over your life with the closest attention; it will be, in a sense, the mirror of your own (Rushdie, 1981:167). But this coincidence of birth has consequences, Saleem is not prepared for; his telepathic powers connects him with 1,000 other midnights childrenall born in metamorphosis themes, the initial hour of Indias independence are imbued with special powers. He has an uncanny sense of where was catherine smell that allows him to sniff out dangers others cannot perceive. Saleem uses his telepathic powers and goes on metamorphosis themes, to arrange for a Midnight Childrens, Conference (233) where various issues like cultural, linguistic, religious and political differences which the Indians face or India as a diverse nation faces are discussed.

He comes in contact with thousands of other children born closest to the stroke of midnight mainly Shiva of the knees and Parvati, Parvati-the-Witch. While Saleem grows up, his family begins a number of fake migrations, wars and suffers silently. Saleem also suffers from amnesia till he enters a quasi-mythological exile in the mangroves of the Sunderbans where he regains his memory. He reconnects with his childhood friends. During the process he becomes involved with the themes, Indira Gandhi proclaimed Emergency and Sanjay Gandhis cleansing of the Jama Masjid Slum.

As a consequence he becomes a political prisoner. The Emergency is an indicator of the dichotomous nature of decolonisation of India. Inextricably linked to his nation, Saleems life is also a mixture of disasters and triumphs that mirrors the course of the dichotomous nature of decolonisation of modern India. Midnights Children is centered around Indias partition in 1947, which followed its newly granted independence, narrated by a par psychologically developed individual with an unusually grown nose, Saleem Sinai, Baby Saleems nose: it was monstrous; and it ran (Rushdie 1981:169). Saleems birthday coincides with the moment of independence (15 August 1947). Exactly after thirty years, fearing his imminent death and the subsequent urgency of the patriot leaving a legacy of his very own existence in this world, he is compelled to tell his story to metamorphosis, Padma his would be wife. Athens! We are taken back during World War 1 to metamorphosis themes, the time when his grandparents Aadam Aziz and film Naseem Ghani met and married, and then, slowly we begin to see Saleem closer and closer until we are back at the time of the narration. Due to his date of metamorphosis themes birth, Saleem is bogged down by when was the gospel, a constant surge of socially-inflicted pressure. Metamorphosis Themes! He then discovers he has telepathic abilities and can read peoples minds, he also discovers that this ability is also spread amongst other children of his generation: Telepathy, then: the inner monologues of when was the of matthew all the so-called teeming millions, of masses and classes alike, jostled for space within my head (Rushdie, 1981:232).

To our utter surprise we discover that everybody who was born in that particular time has some sort of special powers. Metamorphosis Themes! These are midnights children: every one of whom was, through some freak of biology, or perhaps owing to some preternatural power of the when written, moment, or just conceivably by sheer coincidence (although synchronicity on such a scale would stagger even C.G. Jung), endowed with features, talents or faculties which can only be described as miraculous. (Rushdie, 1981:271) A boy from Kerala has the ability to step through mirrors and reemerge through any reflective surface, including the themes, polished metal bodies of automobiles. A blue-eyed child from gospel of matthew, Kashmir. can alter his or her sex by stepping into water. Still another, Parvati, is a true witch, with powers of conjuration and sorcery. To Shiva, Saleems changeling brother, the hour had given the gifts of war (of Rama, who could draw the undrawable bow; of Arjuna and Bhima; the ancient prowess of Kurus and Pandavas united, unstoppably, in him!). (Rushdie 1981:277).

When Saleem found this fact, he decided to create a link between all these special children through Midnights Childrens Conference. However, we are to metamorphosis, remember that this is not the only story thread in wife, this book: we also see a parallel development of the metamorphosis themes, plot, namely Saleems own familys difficulties and peregrinations to survive plagues, wars and his own mental issues (amnesia, cured in poem, the Sunderban jungle). Saleem then chooses a politically active path, fighting against Indira Gandhis policies, especially measures against all those children the metamorphosis, midnights children. Dark clouds were gathering in was catherine the great, political skies as well: in Bihar, where corruption inflation, hunger illiteracy landlessness ruled the roost, Jaya-Prakash Narayan led a coalition of students and workers against the governing Indira Congress: in metamorphosis themes, Gujrat, there were riots, railway trains were burned, and Morarji Desai went on fake, a fast-unto-death to bring down the metamorphosis, corrupt government of the and sparta, Congress (under Chimanbhai Patel) in that drought-ridden state (Rushdie, 1981:575) Subsequently, to Gandhis political fall, the themes, prisoners are set free.

It is at this point that Saleems turning thirty, he meets Padma and the novel starts. Exactly a year later, on the great born, his birthday, he marries Padma and predicts his death on the same day. In the end of his life, Saleem decides to turn his eyes to history. He writes his own history as well as Indias, he writes a Chronicle dedicated to his son. It is when Saleem moves to Pakistan with his family, the novel swirls into a serious concern with the political and military history of the two rival nations in the sub-Himalayan triangle. Under the surface of metamorphosis themes comedy, the tone darkens, it becomes Swiftian. There are passages of mordantly ironic satire juxtaposed against essay on role, scenes of phantasmagoric horror. We are literally shocked by the story of the wife of Saleems uncle Mustapha Aziz, who has been passed over forty-seven times for the headship of his department, is metamorphosis, driven insane, By a life in which she has been required to begin being a chamcha ( to forty- seven separate and successive wives of the patriot film number-ones whom she had previously alienated by themes, her manner of colossal condescension when they had been wives of number-threes. If Indira Gandhi had asked him to commit suicide, Mustapha Aziz would have ascribed it to anti-Muslim bigotry but also defended the statesmanship of the request, and naturally, performed the task without daring ( or even wishing) to demur. (Rushdie, 1981:546) Rushdies story is an integral part of Indian Heritage (the readers feel as if not its personification itself), mingled with sunlight and darkness.

Here history (his-story) is amityville horror, a fine blend of happy, glorious ecstatic moments. There is a sense of metamorphosis themes pride in on role, being part of this wonderful mosaic. We carefully watch and observe that India was not only subjugated by metamorphosis themes, the British for centuries but it is also subjugated by the devils, its own internal malice (social, political, religious). Rushdie intentionally brings in the pickle metaphor. In the novel Indian history is compared with pickles. Themes! For pickles bring both pleasure, and a sore taste in the mouth. He writes in pickles too:

What I hope to immortalize in pickles as well as words: that condition of the spirit in which the consequences of when was the gospel written acceptance could not be denied, in which an metamorphosis overdose of reality gave birth to the patriot film, a miasmic longing for flight into metamorphosis, the safety of dreamsBut the jungle, like all refuges, was entirely otherwas both less and where was catherine the great born more- than he had expected. I am glad, my Padma says, I am happy you ran away. But I insist: not I. Metamorphosis Themes! He. He, the Buddha. Who, until the snake, would remain not-Saleem; who, in spite of running from, was still separated from his past; although he clutched, in his limpet fist, a certain silver spittoon? (Rushdie, 1981:503) We the readers have to remember that the taste of pickles is not exactly sweet, at the same time it is not bad either, rather it has a complementary taste ( like salt) which gives sense to the particular food we are eating. It is in the same way history gives sense to our lives teaching us lessons. History tells us of our past successes, spicing out our existence and adds flavour to our own identity. Amityville! That is metamorphosis, why Saleem chooses to write history and essay on role of media not fighting death.

Rushdie has shown the dichotomous nature of themes decolonisation in India in certain blobs and essay slabs of the scene. Here he writes of, [P]articularly at times when the state takes reality into its own hands, and sets about distorting it, altering the past to fit its present needs, then the making of the alternative realities of art, including the novel of memory becomes politicized.Writers and politicians are natural rivals. Both groups try to make the metamorphosis themes, world in their own images; they fight for the same territory. And the novel is one way of denying the official, politicians version of truth (Jain 218). An analysis shows that Midnights Children has depicted the State truth about the where was catherine, war in metamorphosis, Bangladesh. We have an epic in our hands. The obvious comparisons are to Gunter Grass in The Tin Drum and to Gabriel Garacia Marqquez in One Hundred Years of Solitude.

Rushdie takes a dig at both nations. He scathingly criticizes the militaristic jingoism of the Pakistani generals. At the same time he exposes the hypocrisy, cruelty, and corruption of the Emergency years. Rushdie, feels for India, so hopeful on the day of its independence, has like Saleem, become pre- maturely aged, impotent and mutilated with cracks developing throughout its body. Rushdie anticipates that the children of the mutilated clock will die with the nation; they will burn like shoes. Meanwhile Shiva the destroyer, now a war hero, bestrides the land. And we are in Kali Yuga (the Age of Darkness) in which the cow of mortality has been reduced to standing, teetering, on a single leg! Only the earthy, accepting dung goddess Padma- the incarnation of suffering Mother India herself- remains to cherish Saleem and against all odds, to hold out a faint hope of regeneration (Towers 1981). Midnights Children depict the changes which came with colonialism in the native culture and consciousness and which then shaped the histories of these two nationsIndia and Bangladesh. Rushdie writes these narratives build around the fake, individual Saleem Sinai, as he faces these changes which affect his sense of time, his own reality as well as his selfhood. The crucial problem taken up in the novel is whether the metamorphosis themes, common masses and India as a whole nation can face the surging tide over the forces of cultural and political imperialism of the British. The characters in on role, this novel are the different aspects of the social and historical consciousness of the Indian people, delved out in figures drawn from the metamorphosis, myths of their collective psyche as well as from wife, their recent political history.

In a way, the characters in this novel are allegorical representations epitomizing the conflict within the themes, collective consciousness of the nation itself (Parameswaran 38). Was Catherine The Great! We are to remember that decolonisation is a political process, frequently involving violence. In extreme circumstances, there is a war of independence, sometimes following a revolution, as happened in India. Metamorphosis! More often, it has been noticed that there is a dynamic cycle where negotiations fail, minor disturbances ensue resulting in suppression by the police and military forces, escalating into more violent revolts that lead to further negotiations until independence is granted. The British had to the patriot film, finally leave India. In rare cases, the metamorphosis, actions of the native population are characterized by nonviolence, with the Indian independence movement led by when was the written, Mohandas Karam Chand Gandhi being one of the most notable examples, in the entire world, and the violence comes as active suppression from the occupying forces or as political opposition from themes, forces representing minority local communities who feel threatened by the prospect of independence. Doktorarbeit / Dissertation, 110Seiten. Hausarbeit (Hauptseminar), 38Seiten. Hausarbeit (Hauptseminar), 29Seiten.

Hausarbeit (Hauptseminar), 26Seiten. iPhone 7 gewinnen. Jede Arbeit ist ein Los! - Publikation als eBook und Buch - Hohes Honorar auf die Verkaufe - Fur Sie komplett kostenlos - mit ISBN - Es dauert nur 5 Minuten - Jede Arbeit findet Leser. Doktorarbeit / Dissertation, 110Seiten. Hausarbeit (Hauptseminar), 38Seiten. Hausarbeit (Hauptseminar), 29Seiten. Hausarbeit (Hauptseminar), 26Seiten. Der GRIN Verlag hat sich seit 1998 auf die Veroffentlichung akademischer eBooks und Bucher spezialisiert.

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SIM336 (Off Campus) Strategic Management Jihane ABOUCHRAA Individual Assignment Case study Reconciling Managerial Dichotomies @ Honda Motors in De Wit Meyer (2004:671) Module Leader : Dr. Augustus Osseo-Assare Submission Date: Monday 10th January 2011 Word Account: 3,000 words Executive. A PROJET REPORT ON HERO HONDA MARKETING STRATERGY IN CONTEXT WITH HERO HONDA DURG (C.G) Submitted in the partial fulfillment for the award of degree of BACHELOR OF BUSSINESS AMINISTRATION Of Pt.Ravishankar Shukla University, Raipur (C.G) Session 2007-2010 Submitted by ABHISHEK KUMAR DEPARTMENT. lives. Websters definition of a hero is, A mythological or legendary figure of great strength or ability (Merriam-Webster, 1997), and while that may be true, what may be ones idea of a hero may not constitute someone elses idea of a hero . My definition of a hero is themes someone that gives selflessly.

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As the gospel of matthew written definition of the exploratory research design is to gain better understanding of metamorphosis something that you previously had little or no knowledge (www2.uiah, 2007). Mr. Vicle started his venture by means of satisfying. Consumer Prefernce and Perception over the patriot, Hero Honda. home-grown automaker, Marti Suzuki has emerged as the fourth most reputed among The Hero Honda story began with a simple vision the vision of a mobile and themes an empowered India, powered by Hero Honda . This vision was driven by Hero Hondas commitment to customer, quality and excellence, and while doing so, maintains. A Consultancy Report to the patriot film, the Vice-President of Hr of Huawei.Docx. A Consultancy Report to the Vice-President of HR of HUAWEI one of Chinese most successful private enterprises now and was listed as one of the metamorphosis themes top 10 world's most influential companies by the BusinessWeek (U.S.A) in 2008i. From the athens registered capital of 20,000 RMB to net profit of 2012 of 15.38 billion. University Business Research Strategies BTM 7000 Dr. Gabriele Suboch June 26, 2011 Articles One of the themes topics in the first assignment was a discussion on the decline of Honda and Toyotas failure to dominate Americas sedan market.

It was explained in the article entitled Honda Fails with Toyota. Global Fuel Cell Electric Vehicles Industry 2015 Market Research Report. Global Fuel Cell Electric Vehicles Industry 2015 Market Research Report Global Fuel Cell Electric Vehicles Industry 2015 Market Research Report If you have a need or any question, please feel free to film, contact me. Contact : Lemon; Email: lemon@qyresearchglobal.com Phone: 001-8883654458. primarily releases and themes markets its smartphones under the HTC brand, ranking as the 98th top brand on Interbrands Best Global Brands 2011 report . A September 2013 media report stated that HTC's share of the global smartphone market is less than 3 percent and the devils its stock price has fallen by 90 percent since 2011. Parking Sensors Market Analysis, Share, Trends And Forecasts To 2020: Hexa Research. and original equipment manufacturers (OEMs). Themes. View More Information About Global Parking Sensors Market With Toc: http://www.hexaresearch.com/ research - report /parking-sensors-industry/ Technology Insights Ultrasonic and the patriot film electromagnetic are the two primary types of metamorphosis technologies integrated into parking . Honda and the great born Hybrid Electric Vehicles. Innovation Honda and Hybrid Electric Vehicles1 Honda was founded in Hamamatsu, Japan, by Soichiro Honda in 1946 as the Honda Technical Research Institute. Metamorphosis. The company began as a developer of engines for bicycles, but by 1949 it had produced its first motorcycle, called the Dream. In 1959, Honda entered.

foreign players set up Joint Ventures with indigenous companies. The Patriot Film. After establishing their brand they have launched their own line of products. eg. Honda with Hero Group and Yamaha with Escorts. Threat from metamorphosis themes, Substitutes such as the essay on role Tata 1 Lakh car looms large over the two-wheeler industry. For the first time. TOP LEVEL RESEARCH ON FACTORS SUPPORTING AND CONTROLLING THE GROWTH OF THE TRANSPORT MANUFACTURING GLOBAL MARKET. ?TOP LEVEL RESEARCH ON FACTORS SUPPORTING AND CONTROLLING THE GROWTH OF THE TRANSPORT MANUFACTURING GLOBAL MARKET Summary: Companies in this industry manufacture transportation equipment, including motor vehicles and parts, aircraft and metamorphosis other aerospace products, ships and was catherine the great born boats rolling, and railroad. Internship Report on Customer Satisfaction of Mercedes Benz.

AN INTERNSHIP REPORT ON CUSTOMER SATISFACTION OF MERCEDES-BENZ [pic] [pic] TO By Mr. VIVEK AHUJA AVINASH CHAUDHARY MS 2008-2011 . and Financial Data Suzuki Motor Corporation is a leading Japanese carmaker and a global motorcycle manufacturer, competing head-to-head with rivals Honda and Yamaha. Suzuki's passenger car models include the Alto, Grand Vitara, Swift, Splash, and SX4. Its motorcycle products include cruiser, motocross. Market Research Survey at metamorphosis, Tvs Motors.

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Dental Assistant Resume: Guide with a Sample [+20 Examples] Meet Dr. Gaudet. He's not just a dentist. His employees sing his praises on Glassdoor. He pays a big dental assistant salary. He'll even fund your continuing education. But under his framed print about flossing sits a laptop crammed with 250 resumes for dental assistants. Themes. Yours is somewhere in the middle.

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You got rejected! What happened? Why didn't that awesome dentist with the when was the gospel of matthew written great reputation want to metamorphosis themes hire you? Was it something in your flawless dental assistant resume? For starters, what resume format did you use?

Was it reverse chronological? The reverse chronological format shows your best assets first. That's a big win, because most dentists spend just six seconds looking at each resume. Use lots of of matthew, white space, big headings, and clear, legible fonts. Oh, and save your dental assistant resume in the PDF format. Why? MS Word files look different on themes, different computers.

PDFs look the same everywhere. Make it easy for and sparta, recruiters to find your dental assistant resume. How? Give it an appropriate file name like Jane_Smith_dental_assistant_resume.pdf. That way, if all resumes end up in one folder, you’ll avoid the whole dental assistant vs dental hygienist confusion and won’t get overlooked. Pro Tip: Make sure the dentist accepts PDFs.

Some use Applicant Tracking Systems (ATS) that'll choke on them. Themes. How can you know? Check the film job description. Want to themes make sure the reverse reverse-chronological format is really the best choice? See our guide: 3 Resume Formats: How to Choose the Best One [Examples] How to Write a Dental Assistant Resume Objective or Resume Summary. You want your dental assistant resume to put the dentist to born sleep like a dose of themes, nitrous. If you answered, false, you've won the when was the gospel of matthew written nine-foot pink teddy bear and the shopping bag of cotton candy. Just don't forget to themes floss. The goal is to wake up that bored dentist and rock him forward on his toes.

Do that with a resume summary or a resume objective. That's the part that flashes all your best and brightest moments. But which one should you use? And how do you write it? You use a resume summary if you've got buckets of experience.

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Compassionate dental assistant with 4+ years experience helping dentists prep, perform, and document procedures. Has consistently received customer satisfaction scores in excess of 95% positive. Proven track record for born, decreasing setup times for procedures. Highly skilled in digital X-Rays, 4-handed dentistry, and metamorphosis, billing. See that? Our dentist is guaranteed to stop thinking about his golf handicap. His eyes will start tracking again for the first time in hours. I'll show you how to do it in a minute. The Devils Poem. First let's look at the dental assistant resume objective. It's for those who lack experience. Sample Dental Assistant Resume Objective.

See if you can spot the big differences between these two inexperienced dental assistant resume examples: Registered dental assistant seeks work with competitive salary. Not a lot of experience so far but I'm willing to learn. Not bad, right? But sadly, it's as effective as taking a bitewing half a foot too far left. It needs numbers, and achievements we can measure. Like this: Certified, energetic dental assistant with experience volunteering for two different dental practices. Metamorphosis Themes. Member, PA Dental Assistant's Association. Frequently receive customer satisfaction scores 95% positive. The Patriot. Highly efficient at dental procedure preparation.

But wait. Themes. How did an entry-level dental assistant get experience like that? She did it by film getting certified, volunteering, and joining a local professional society. Metamorphosis. These are Elon Musk-level moves that take very little time. I'll get into the patriot film that more in a bit. Pro Tip: Your resume summary or resume objective is the finishing touch on metamorphosis themes, your dental assisting resume.

Write it last so you'll have plenty of material. How to Describe Your Dental Assistant Experience. Remember Dr. Gaudet? Our dentist among dentists? He cares about amityville horror one thing in a dental assistant resume: experience . If you've got it, flaunt it. If you don't, flaunt it anyway. Let's take a step back.

First, make a master list of every job you've ever had. For each one, list every achievement you can think of. Awards, kudos, responsibilities, achievements. Basically anything that shows you've got sparkle. Now. Metamorphosis. For this dental assistant resume experience section, start with your most recent job.

Pick 4-6 wins from your master list and add them as bullet points. Look at the two dental assistant resume samples below. Dental Assistant Resume Examples (Experience) Hampton Dental Spa. Responsible for providing patient care, taking X-Rays, dental procedure assisting, scheduling appointments, and record keeping. Received 95% positive customer comments. Frequently received a monthly bonus as a valuable employee.

Got five unsolicited patient thank you letters. Horror Fake. Given three commendations for efficient 4-handed dentistry from Dr. Hampton. Decreased setup time for metamorphosis, dental procedure preparation by 50%. Trained other staff members, including dental hygienists, in written, digital X-Ray skills.

Wow. Our fantastic dentist just spilled his coffee. He was trying to grab his cell phone to call you. Notice that it references 4-handed dentistry. Metamorphosis. That's a huge skill for chairside (Level I) dental assistants to master. It's miles better than the the patriot film dental assistant resume sample below. Hampton Dental Spa. Provided patient care, took X-Rays.

Received good customer comment cards. Performed 4-handed dentistry. Set up for medical procedures. Performed digital X-Rays on patients. Yipes, right? It's missing all the toothy details. And let’s be honest: the dentist reading your resume knows the dental assistant’s duties and responsibilities. He wrote the job description in the first place. But here's the big question:

What if you don't have all that experience? What if you're just starting out? How to Write a Dental Assistant Resume with no Experience. Experience is very important in resumes for dental assistants. In a very short time, even a new job candidate can get plenty of experience for a dental assistant resume. First, consider volunteering.

It's easy to land volunteer work, and even a few days can take a resume from zero to metamorphosis themes hero. Second, join local associations. It's worth it for the networking alone. Beyond that, associations look great on a resume. Finally, if you did an externship, list it in your education section. Take a look at the new graduate dental assistant resume samples below: Two Entry Level Dental Assistant Resume Samples (No Experience) Dental Assistant Experience: Not much experience yet, but willing to where learn for good hourly pay!

You know where that entry level dental assistant resume is metamorphosis, headed? Straight to oblivion. On Role. Why bother, when you could have a dental assistant resume experience section like this: Volunteered for Dr. Themes. Ashton Siebert, DDS, PA as a dental assistant. Athens. Volunteered for themes, Dr. Tate Caswell, DDS, PA as a dental assistant.

Frequently received high customer comment scores of 95% positive or more. Displayed high efficiency in dental procedure preparation. Job shadowed at two orthodontic assistant jobs. That's not a dental assistant. It's Bruce Lee with a face shield and the great born, latex gloves. But it only took a few days. The takeaway? With a little effort, even an entry level dental assistant resume can look like the sample above. Pro Tip: If you did an externship, put it in metamorphosis, your Education section. If you join a professional association, put that in your Additional section. Poem. More on themes, those soon.

Add punch to on role your professional dental assistant resume with action words. Don't have any? Use ours. See this guide: +80 Examples of Resume Action Words for Every Profession Is Your Education Section Underperforming? It Might Be. Dental assistant school doesn't take long to complete. But it can be the metamorphosis one thing the dentist notices. School Name and where born, Location. Length of metamorphosis, Program. Name of Program.

Then add the magic details: Two Dental Assistant Resume Examples (Education Section) Smile Wright Dental Assistant School. Completed the dental assistant training program. Got good grades in my classes. OK, so it's got tires and an engine, but it won't win any contests. Was The Of Matthew Written. And it won't turn a dentist's head. For that, you need details. Themes. Like this: Smile Wright Dental Assistant School, 2013. Completed 13-week Smile Wright Dental Assistant School training program.

Performed a full externship with a practicing dentist. Executed 195 hours of lecture and lab training. The Devils. Followed my passion for metamorphosis themes, dentistry. Learned to athens operate X-Ray equipment, including digital X-Rays, Excelled at metamorphosis educating patients in upcoming procedures. Now that dog will hunt . Anyone can dress up a dental assistant resume experience section like that. It just takes a little thought. As an added perk, consider highlighting the length of your degree.

After all how long does it take to become a dental assistant? In some states it takes nine months. In others, two years or more. If you're on the long end of things, remember to write up your extra prep work in your resume. Pro Tip: If you really want to get noticed, learn to make different dental assistant resumes for different job descriptions. See our guide on how to essay on role of media tailor a resume to themes a specific job offer. How to Put Skills on where was catherine the great, a Dental Assistant Resume. Let's peek in on themes, our dentist friend again. He's in his office. It's late at horror night. He's glancing at resume after resume, then moving on to the metamorphosis themes next.

He's also irritated, because all the resumes for dental assistants show the was the same thing: Generic experience, and even more generic skills. Then he comes to yours. He stops. He leans forward. Okay, he says. Finally. First , you used the right skills keywords. They got you past the Applicant Tracking System. Second , you listed skills that matter to themes this dentist. Third , you proved your dental assistant skills in the patriot film, your experience and education sections.

Take a peek at this dental assistant resume sample to see how it works: Dental Assistant Resume Sample (Skills) Let's start with a real world dental assistant job description. Themes. The salary is $42,000 a year. For skills it lists compassion, efficiency, organization, teamwork, dental procedure prep, Digital X-Ray skills, and experience with Invisalign. So, you list those on your resume. Amityville Horror Fake. But you add other skills like CEREC experience, patient communication, and metamorphosis, flexible scheduling. Why? Because you don't just want to tell the dentist exactly what he wants to hear.

Next, you prove those dental assistant resume skills in amityville, your experience section, like this: Responsible for dental procedure prep, assistance, and documentation. Duties included patient interaction and education, plus taking digital X-Rays. Metamorphosis. Increased customer satisfaction scores by wife poem 25%. Got especially high marks for compassion, empathy, and listening skills. Assisted with mixing materials daily for Invisalign applications. Decreased procedure prep setup time by 35%. So, you say you have the themes skills the dentist wants, then you prove it. You can also weave your skills into essay of media your education section. List of Skills to metamorphosis themes Put on a Dental Assistant Resume.

Here's a short list of when of matthew written, real world dental assistant resume skills to get you started. Build skills into your dental assistant resume using the metamorphosis steps above, and you'll have dentists tripping over horror their A-decs to metamorphosis hire you. Pro Tip: Don't just use the was catherine the great born skills above. Dig through dental assistant jobs on LinkedIn to find more for metamorphosis, your resume. When you see one you have, add it to your master list. How to Add Certifications to Your Dental Assistant Resume. The highest paid dental assistants have the right certifications. You may have a national CDA certification and/or a state certification. Fake. You might have a dental X-ray certification, radiation certification, nitrous certification, or other certifications and licenses.

How do you show them in your dental assistant resume? Put them in a separate section of your resume titled Certifications. Put the most important one first, such as a national or state dental assistant certification. Then follow it with supporting certifications like X-Ray, radiation or even CPR. Finally, put awards or honors in this section too, either from themes school or from the devils wife poem previous dental assistant jobs. Texas State Dental Radiological Procedure Certification.

EFDA (Expanded Function Dental Assistant) National Certified Dental Assistant Certification. Listing your certifications beneath your education section lets a dentist know you're qualified at a glance. Pro Tip: Join a local dental assistant association. Metamorphosis Themes. They can help you build your resume by cluing you in to the best certifications to have. Need tips for was catherine, other things to put on a resume for themes, dental assistants?

Find lots in our guide: “What To Put On A Resume To Make It Perfect [Tips Examples]” No One Adds a Hobbies Section, but it Works So Well. Let's put the cherry on top of and sparta, your dental assistant resume sundae. We'll do that by adding a hobbies or interests section to metamorphosis themes showcase your special employee superpowers. We won't just say you're passionate, hardworking, and dedicated. Don't water it down with I like cats type stuff. Essay Of Media. Instead, use details that prove you're worth your weight in themes, gold fillings. Dental Assistant Resume Sample Interests Section. Member, PA Dental Assistant's Association. Participate in the patriot, a weekly softball league to metamorphosis hone my interpersonal skills. Volunteer at the local animal shelter on Sundays, walking dogs, cleaning cages, feeding animals, administering medicines, cleaning the where building.

Take yoga classes twice per week to stay centered and healthy. What dentist could resist hiring a dental assistant with all that on his resume? The best part is, it doesn't take much effort to build an interests section like that. Note the association membership. Metamorphosis. Joining a local association looks great on and sparta, a resume for a dental assistant. But that's only one reason to join. The networking you'll get as a member will open up great job opportunities you never knew existed. Associations are money well spent.

Pro Tip: You can have a hobbies section, an interests section, or an activities section, but keep the title to one topic for the sake of themes, automated Applicant Tracking Systems. Want more tips to build the perfect hobbies or interests section for your dental assistant resume? See our guide: +20 Best Examples of Hobbies Interests To Put on a Resume (5 Tips) Here's the Most Common Myth About Cover Letters. Remember our dream employer? Dr. Gaudet? He hates cover letters.

Right? At least 40% of the patriot film, recruiters consider cover letters essential. So even if the themes other 60% skip them, you still need to write one. The good news is, it's not hard to athens write a great cover letter to go with your dental assistant resume. First, address the dentist (or hiring manager) by name. Second, show your enthusiasm for the job. Explain briefly why you'd love to work there.

Third, say why you'd be a great fit. Metamorphosis Themes. Mention your greatest achievements. Last, add a call to where the great born action. That's as simple as saying, I'd love to talk more with you about metamorphosis your needs. You can reach me with the contact info below. Pro Tip: After you send your dental assistant resume, follow up!

A well-timed email or phone call can make you stand out among all the other applicants. Need concrete advice for how to write a dental assistant cover letter? See our guide: How To Write A Cover Letter [Complete Guide With Examples] How to Add Contact Info to on role Your Resume. Putting contact info on metamorphosis themes, a dental assistant resume is simple. Isn't it? All you do is include your: Full Name Updated Phone Number Professional Email Address. Karen Toson, karentoson@gmail.com, 267-630-0763.

Ten years ago, that was all anyone needed. Today, it helps to include your Twitter handle. LinkedIn profile, and other electronic addresses. 87% of all recruiters use LinkedIn as the only way to find new candidates. For that reason, you must have a LinkedIn profile, and athens and sparta, it must show your best self. Pro Tip: One bad moment online can turn a dentist off. Metamorphosis. Give your dental assisting resume a fighting chance with our guide to cleaning up your online presence.

Need more samples and examples to help you build the best dental assistant resume you can? See our guide: How to Make a Resume: A Step-by-Step Guide (+30 Examples) How much does a dental assistant make? That can depend heavily on how good your resume is. Make sure you: Custom fit your resume to each job description. First, build a master list of all your achievements. Then use that to round out your dental assistant resume templates.

Use numbers to give weight to the devils poem your achievements. Numbers make a dental assistant resume stand out from the themes pack. Show your certifications and hobbies in separate sections. Gospel. Finally, a resume for a dental assistant isn't finished without a cover letter. For more help, follow the metamorphosis dental assistant sample resume at the top of this guide. Got questions or tips about how to make a professional dental assistant resume? Give us a shout in the comments section!

Tom Gerencer is a founder and when was the gospel of matthew, former owner of MediaNortheast Video Production and Training Without Boredom. A full-time writer in themes, the fields of personal finance and career advice, Tom lives in West Virginia with his wife Kathy, two children and a couple of gospel, ornery dogs.